Gotta Groove Records

Gotta Groove Records

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Posts Tagged ‘custom vinyls’

Cherry Poppin’ Daddies — Bigger Life

CPDBiggerLife.jpg

The Cherry Poppin’ Daddies‘ 11th long player! Style wise its a bit of ska, punk, a couple swing songs and a dash of funkiness. I think of it as a mural painted for 2017-2018- addressing that zeitgeist. But done in a way that’s actually universal and timeless. It’s a tough-minded, rockin’ and muscular satire “ripped from the headlines.” Bigger Life is like a throwback to our Ferociously Stoned days, mixed with our skacore influence of the Kids on the Street era.

Tom Freund — East of Lincoln

New album by Tom Freund — Double Vinyl (Mastered by Bakery Mastering with audiophile precision)
featuring 2 unreleased tracks and duet with Ben Harper on “Let My Love Open The Door”. First 50 ordered signed by Tom – upon request!

SRSQ — Unreality

Unreality

SRSQ  (pronounced  seer-skew)  is  the  solo  project  of  Kennedy  Ashlyn  (vocalist/keyboardist  of  Them  Are  Us  Too).  Creative voids aren’t filled, but rather holes left that push the edges of the present into new realms of consciousness. SRSQ’s pulse began after the  death  of  Kennedy’s  closest  friend  and  TAUT  collaborator  Cash  Askew, a casualty in  the  sudden and tragic Oakland  Ghost  Ship  Fire  of  2016.  Driven by loss, SRSQ became the vehicle for Kennedy’s transformative process, exploring nuance, nostalgia, reflection, and reconciliation, manifesting in the aural landscape of Unreality.

As a debut, Unreality is entrance into a new form of   storytelling, traversing the present while pulling from a deep swath of experience, immersion, and sound. Like the impulse it pulls from, each song evokes the complex duality of meditation—where simple intersects with infinite. Ambient  synthesizers  that  approach  harshness,  relentless  arpeggiations  act together with Kennedy’s  vocals as a lush weapon, weaving cloudlike fables over orchestration that’s familiar and foreign. Trance-like at times, yet always rooted in cadence and structure, the synesthesia of sound and feeling takes cues from the delicate miasma of Cocteau Twins, My Bloody Valentine, or Dead Can Dance, using their example as the ground floor for building a new temple of frequency. Kennedy proves an adept architect of rhythm, using sequenced electronics as a deep backbeat that allows the harrowing beauty of her vocals to lead the journey.

Available from Dais Records.

 

yOya — The Half Turn

yOya is the project of longtime songwriting partners Alex Pfender and Noah Dietterich. Natives of Corvallis, OR and friends since the fifth grade, Pfender and Dietterich grew up to the sound of rain in the fir trees and Graceland on cassette. When the duo moved to California they found themselves semi-consciously absorbing the electronic sounds of the LA scene. What emerged was yOya’s unique mix of folk-hearted songs, intricate vocal harmony, gritty synths, and thundering electronic beats.

 

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