If Dinosaur Jr. wrote an album with Wilco, you’d get the alt-rock, americana, shoegaze cocktail that is Boston’s own, The Big Lonesome. The Gosselin brothers, Chad (guitar/vocals) and Luke (guitar/lap steel/vocals) along with bassist Seth Kellogg, and drummer Linecker de Silva team up again with New England Music Award Producer of the year, Sean McLaughlin, (Rush, Elliott Smith, Death Row Records) to release their third album – Payphones and Ashtrays. After a national tour in the spring of 2019 with San Antonio’s Ila Minori to celebrate the launch of their new music collective, Dream Coast, along with Jack Oats (Detroit) and Jesse W. Johnson (Chicago), The Big Lonesome continues their upward momentum with the release of this new full length album in the summer of 2020.
Robbing Mary has been delighting crowds with their heartfelt, heartland music throughout the Midwest for more than a decade. The band has crafted a unique blend of Alternative Country, Americana, Roots Rock and good old Rock N’ Roll. Beginning in 2004, with original members Dan Mills on Vocals and Guitar, Stephen Keefe on Bass, and Jen Vilimonovic on Violin and Vocals, the early version of RM assembled an eclectic collection of original material to share with audiences. As time went on they added Rom Cullers on Guitar and Vocals, David Drotos on Keyboard and Vocals, Scott Mehalko on Drums and Percussion, and most recently Pete Simon on electric, slide and steel guitars. Together as a tight knit unit of seasoned musicians featuring dynamic harmonies, incredible musicianship and shared lead vocals between the band members, there is something for everyone offered at a Robbing Mary show.
LAMB is a nightmare where pop music is heard distantly while you arrive at a scrap yard in a powdered wig. And in this distance is a lithe figure keeping an eye out for shade in a sweltering Baltimore summer. You inch a little bit closer and can see Jordan Romero. He’s wearing a Department of Public Works uniform, blowing the dust off forms exotic and broken-down, talking about sea pigeons and lemons under ice. All throughout the Maryland region you can hear it, a grinding, grumbling sticky sound like melodic dump trucks tracing the city. In this place all popular and unpopular music is left to bake in a hot car.