Gotta Groove Records

Gotta Groove Records

Record Pressing Specialists – The Best Sounding Records On Planet Earth.

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Statement on Apollo/Transco Fire

We at GGR were saddened to learn of the fire that destroyed the Apollo/Transco manufacturing facilities on February 6, 2020.  The vinyl manufacturing industry is a relatively close-knit community.  We have had many dealings directly with Terry Carlson (president of Apollo/Transco Masters) over the years.  We hope that he, Apollo/Transco’s employees, as well as the many pressing plants and mastering providers around the world who relied predominantly upon Apollo/Transco will all weather this storm and successfully land on their feet.

How this situation affects Gotta Groove Records:

Gotta Groove Records provides lacquer mastering services – 12” orders are cut by Clint Holley and Dave Polster, and 7” orders are cut by Greg Reierson. 

  • GGR does not rely upon Apollo/Transco for master lacquers used in making 12” records.  Therefore, as of today, it does not appear that 12” orders will be affected by the Apollo/Transco fire. 
  • 7” orders will be affected to some degree – moving forward, all 7″ jobs cut by GGR’s lacquer engineers will need to be cut on the larger lacquers typically used for 12″ jobs.
  • Reference lacquers will be temporarily unavailable.  This applies to both 12” and 7” orders – the supply of reference lacquers, at least in the near future, will be disrupted.  In some situations, 12” customers will be offered the option to do test cut samples instead of reference lacquers. 

We will continue to provide updates on this matter, should anything materially change from the statements made above.  Of course, please feel free to contact us at either sales@gottagrooverecords.com or via phone at (800) 295-0171 if you have any specific questions.

We are devoted to the vinyl format, and will continue to do everything within our powers to make vinyl manufacturing as accessible and consistent as it can be to musicians, labels, and anyone else wanting to make a record.  We want to press your next record.  

KAINA — Next To The Sun

Next to the Sun

KAINA’s Next to the Sun was one of the VMP team’s favorite releases in 2019, as we loved the album’s dedications to KAINA’s native Chicago, and her family and the communities that raised her. Dripping in bright production and buoyed by her brighter voice, Next to the Sun is an album about soldiering on despite it all, and remembering to love who you are and where you came from.

For a limited time, you can obtain the Vinyl Me Please version of this album (pressed at Gotta Groove) on opaque blue vinyl.

John Moreland — LP5

Over the last half a dozen years or so, John Moreland’s honesty has stunned us––and stung. As he put hurts we didn’t even realize we had or shared into his songs, we sang along. And we felt better. But there has always been far more to Moreland than sad songs. Today, his earthbound poetry remains potent, but in addition to his world-weary candor, Moreland’s music smolders with gentle wisdom, flashes of wit and joy, and compassion. And once again, as we listen, we feel better.

“I can’t dress myself up and be some folk singer character that I’m not really,” Moreland says. “I figured, I can’t dress up these songs and try to sell them that way. All I can do is be me.”

Out February 2020, his latest album LP5 proves John Moreland has gotten really good at being John Moreland––thank God. A masterful display of songwriting by one of today’s best young practitioners of the art form, LP5 is Moreland’s finest record to date. The album’s experimentations with instrumentation and sounds capture an artist whose confidence has grown, all without abandoning the hardy roots rock bed and the lyrics-first approach Moreland’s work demands. “I feel like just this year, in the past few months, I’ve reached a point where I feel like I know what I’m doing here now,” he says. “And I feel comfortable with it.”

When pressed about the hard-won wisdom and peace that seem to define LP5, Moreland is characteristically both direct and humble. “I definitely am wiser than I was five years ago––I guess anybody would hope to be wiser than they were five years ago,” he says with a laugh. “But I do feel more mellow. Settled. I don’t feel as antsy or think I’ve got to prove myself anymore. I feel really comfortable and free to just do what I want to do.” 

Preorder now.

Whiskey Basterds — Redemption on Main St.

Whiskey Basterds’ debut album Redemption on Main St., is now available!  Written over the course of three years in Los Angeles, Santa Barbara, and Ojai, CA, it was produced by Ken Eros and April Theriault, recorded and mixed at Eros Creative and Sound, and mastered by Eric Boulanger at The Bakery.

Mute Forest — Riderstorm

Wednesday — I was Trying To Describe You To Someone

Steve Dawson & Funeral Bonsai Wedding — Last Flight Out

The idea of FUNERAL BONSAI WEDDING came to Steve Dawson while riding a bus in his hometown of Chicago. Every day he passed a florist with three windows, each with a sign. “Funeral,” read one. “Bonsai,” another. “Wedding,” read the last.

However random, Dawson realized the words sounded natural when put together, much like the group that would share its title. Indeed, when FUNERAL BONSAI WEDDING released its self-titled debut album in 2014, the collaboration appeared like it shouldn’t work. As the songwriter-singer behind Dolly Varden, an acclaimed Americana band from Chicago, Dawson’s roots are country and soul. He is joined by three Chicago jazz musicians — vibraphonist Jason Adasiewicz, drummer Charles Rumback and bassist Jason Roebke — known for their inventiveness on Chicago’s legendary free jazz scene, having participated in projects with people like Ken Vandermark, Ryley Walker, Thurston Moore, Nicole Mitchell, Jeff Parker, and Nels Cline, among many others.

On Last Flight Out, every sound is inverted: Adasiewicz’s vibes serve as the lead instrument, Dawson’s voice often leads to chants, and Rumback and Roebke shift time to move the music to side pockets as they move it forward. The closest comparison to the ephemeral blissed-out melodies is Van Morrison’s epic Astral Weeks, which aims for transcendence amid ordinariness. To reach those otherworldly heights, Dawson had to invert the process he was conditioned to within the context of a rock band.

Bobby Patterson — It’s Just A Matter Of Time

Bobby Patterson It’s Just a Matter of Time LP

If this 1972 record for the Paula label was the sum total of Dallas, Texas soul man Bobby Patterson’s career output, then he’d still be reckoned a cult figure among R&B fans. In fact, it’s so good that the fact that he went on to cut five other albums and produce artists ranging from Fontella Bass to Chuck Jackson to Little Johnny Taylor almost seems besides the point.

This is a stone soul masterpiece, full of grit and groove, with a breathtaking stylistic breadth stretching from funky soul (“If You Took a Survey”; “How Do You Spell Love”) to romantic soul balladery (“I Get My Groove from You”) to James Brown-style workouts (“Make Sure You Can Handle It”) to socially-conscious, wah wah-drenched commentary (“The Whole Funky World Is a Ghetto”) and all points in between. But what really makes this record mind-blowing is that Patterson wrote all but one song (the one he didn’t write, “Right On Jody,” is an answer song to Johnnie Taylor’s big hit “Jody’s Got Your Girl and Gone”). Every soul searcher needs this one!

Available from Real Gone Music.

The Wood Brothers — Kingdom In My Mind

Wood Brother vinyl record

The Wood Brothers have announced the release of a new studio album ‘Kingdom In My Mind’ due January 24 via Honey Jar/Thirty Tigers. The 11-song collection represents a reckoning of sorts, examining circumstance, mortality and human nature. Finding strength in accepting what lies beyond our control, the material on ‘Kingdom In My Mind’ hones in on the bittersweet beauty that underlies doubt and pain and sadness with vivid character studies and unflinching self-examination. While the lyrics dig deep, the trio draws from across a broad sonic spectrum to create a set of songs that although thoughtful and inward looking is ultimately transportive and effervescent.

Kevin Krauter — Full Hand

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