Gotta Groove Records

Gotta Groove Records

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Posts Tagged ‘vinyl pressing’

Phil Palombi — Detroit Lean

Grammy award winning bassist Phil Palombi is “one of the most sought after bass players in New York City”, according to Steely Dan tenor saxophonist and renowned jazz musician Walt Weiskopf. His performance and recording credits include such players as, Toshiko Akiyoshi, Michael Brecker, Randy Brecker, George Coleman, Maynard Ferguson, Billy Hart, Louis Hayes, Vincent Herring, Etta Jones, Billy Kilson, Joe Lovano, Dave Liebman, Harold Mabern, Steve Smith, Curtis Stigers, Lew Tabackin, Mark Turner, Chucho Valdes, and The Village Vanguard Orchestra to name a few. Upon moving to New York City in 1997, he immediately began working full time performing at many of the city’s venues.

 

The Few — Fragments of a Luxury Vessel

All music improvised by Macie Stewart, Charlie Kirchen and Steve Marquette. Side B, Track 2 contains melodic material from Albert Ayler’s “Truth Is Marching In”.  All tracks recorded, mixed and mastered by Dave Zuchowski.  Side A, track 1 recorded at a concert held at Elastic Arts in Chicago, IL on August 13th, 2015.  Side A, track 2 recorded at a concert held at the Comfort Station in Chicago, IL on October 1st, 2015.  Side B, tracks 1 & 2 recorded at a concert held at Constellation in Chicago, IL on April 9th, 2016.  Limited edition of 500 — Buy now!

 

Holly Bowling — Better Left Unsung

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Holly Bowling’s Better Left Unsung is a collection of classical solo piano arrangements of the music of The Grateful Dead. A classically trained pianist, Bowling possesses one distinction that sets her apart from similarly studied musicians—a devotion to improvisational rock music and the vision to painstakingly transcribe “jam” masterworks note-for-note, arranging them for solo piano and improvising upon what was already written. Last year, Bowling released Distillation Of A Dream: The Music Of Phish Reimagined For Solo Piano to wide acclaim. So it only seems fitting that she turns her attention to the music of The Grateful Dead for her second album. Containing over two hours worth of music, Better Left Unsung is available as a triple-LP set.

“Franklin’s Tower,” “The Other One” and “China Doll,” are among the songs Bowling recorded for the album, in addition to an entire solo piano arrangement of the “Terrapin Station” suite. Bowling’s favorite version of “Eyes Of The World” from Louisville’s Freedom Hall in 1974 receives a complete transcription, as well.

Phish song, “Tweezer,” is what first inspired Bowling to begin transcribing and arranging the music of her favorite artists for solo piano. After witnessing a moving performance of the song at Lake Tahoe on July 31, 2013, Bowling sat down and transcribed the 37-minute performance note-for-note. When performing these pieces, Bowling uses her classical piano technique to make each song her own work of art.

 

New Record Pressing Machine!

Our new press was delivered to us today….. It’s a beauty! Built in the USA by Record Pressing Machines, LLC. Our mechanic Paul is working his magic getting it set up right now.  We want to press your next record!

 

UJ3RK5 — Live From The Commodore Ballroom

Featuring Kitty Byrne, Rodney Graham, Jeff Wall, and William Gibson, UJ3RK5 Live From The Commodore Ballroom is coming very soon from Primary Information.  Stay tuned!

 

Black Friday!

Be sure to seek out these indie releases on Black Friday!  Thanks to Good Records, Shake-It Records, MVD Audio, Lakeshore Records, Colemine Records, and Daptone Records for letting GGR press these records.  Happy Thanksgiving from the Gotta Groovies!

Alice Cooper – Live From The Astroturf 7″

Jeremy Pinnell — OH/KY Live

Wussy — Funeral Dress II

Stone Roses — Sally Cinnamon

Bill Callahan — Apocalypse: A Bill Callahan Tour Film

Underworld Soundtrack

Betts, Hall, Leavell, Trucks — Live At The Coffee Pot 1983

Ikebe Shakedown — Hard Steppin’

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The Dip — Won’t Be Coming Back 7″ 

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Frightnrs — Dispute/Version 7″

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Olympians — Sirens Of Jupiter / Apollo’s Mood 7″

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The Leland Bluebird Sessions

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The Leland Bluebird Recording Sessions is a project instigated and brought about by Waterloo Sunset Records and inspired by the work of the Fox Valley Blues Society, Blues On The Fox Festival Committee and the Fox Valley Music Foundation. The project is a recording tribute to the records that were produced on the top floor of the Leland Hotel in Aurora, Illinois during a period in time beginning on May 4, 1937 and ending on December 19,1938.

The cream of the crop in the Chicago and St. Louis blues scenes were assembled on a variety of dates during that period to record tracks for the Bluebird Label. The sessions were the brainchild of a Chicago businessman and freelance A&R person named Lester Melrose. Tampa Red, Washboard Sam, Big Bill Broonzy, Big Joe Williams, Walter Davis, Henry Townsend, Robert Lee McCoy, Merline Johnson, Sweet Peas Spivey, and a very young, John Lee Curtis ‘Sonny Boy’ Williamson, amongst others, participated in many of the sessions.

The recordings are considered to be historic and very influential in laying down a foundation for rock and roll, big band music and post-war blues. The sessions helped to establish the harmonica as a lead instrument in blues ensembles while also lending credence to the notion that recordings sessions could be quick and efficient in using ‘house bands’ comprised of lead and session musicians accompanying each other on each other’s songs.

The rediscovery of these historic recordings lead to the formation of the Fox Valley Blues Society and the founding of the Blues On The Fox Festival both based in Aurora, Illinois. Several of the artists that participated in the original sessions are now members of the Blues Foundation’s Blues Hall of Fame and the song, ‘Good Morning, School Girl’, written and recorded by Sonny Boy Williamson, has also been inducted into the Blues Hall of Fame.

The purpose of this tribute project is to pay homage to the artists that participated in those original recording sessions, and to help to ensure that their memory and those songs remain prominently known for ages to come.

 

Miss Sharon Jones! — Original Motion Picture Soundtrack

Miss Sharon Jones! OST

It is our distinct pleasure to present: Miss Sharon Jones! OST. The film, directed by two-time Academy Award winner, Barbara Kopple, follows the dynamic front-woman through her 2013 battle with cancer and her triumphant return to the stage around the release of Give The People What They Want.

All versions of the soundtrack, featuring the exclusive “I’m Still Here”, boasts a nice selection of tracks ranging from her early singles on Daptone, to tracks from the band’s 2014 release – Give the People What They Want.

The Double LP Gatefold album features extra tracks + the EXCLUSIVE performance of “His Eye On The Sparrow” as heard in the film sung by Sharon Jones in her local church in Augusta, GA.

 

Giant Kitty — This Stupid Stuff

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Known as one of Houston’s premier punk bands, Giant Kitty has opened for national and international acts such as Japan’s Shonen Knife, Dressy Bessy, and Girl in a Coma. They have played high profile festivals throughout the south as well as headlining a showcase in the 2016 SXSW conference in Austin. The band’s sound has sometimes been described as a mix between the Sex Pistols and the Runaways and has often been compared to Sleater-Kinney, L7, Black Flag, and Bikini Kill.

This Stupid Stuff – Giant Kitty’s fierce and wry LP was produced by Mark White of the Spin Doctors, recorded by Houston legend Joe Omelchuck, and finally mixed and mastered by the two-time Grammy nominee Roman Klun.

 

Carsie Blanton — So Ferocious

Carsie Blanton is a singer/songwriter based in New Orleans. She has toured with Paul Simon, the Wood Brothers, the Weepies and Joan Osborne.

Her newest album – So Ferocious — is available now.

 

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