Gotta Groove Records

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Posts Tagged ‘record pressing’

Mark Erelli — For A Song

Even today, it’s possible to write songs honestly and intelligently, arrange them with a sensitive ear and sing in a way that brings their stories to life. We know this, in part, because that’s what Mark Erelli does. In his quiet way, the Boston-based singer/songwriter has gathered and grown a following that values these qualities. Which is why it’s seemed too long to too many since Erelli’s last album of original material.  The long wait is over with the release of For A Song, a bouquet of new songs that reflect where this artist has arrived, personally and professionally. From introspective ballads to celebrations of love’s allure, these 12 songs stand-alone as eloquent statements and together as a meditation on life in all its dimensions.  Grab it now!

 

The Evaporators — Ogopogo Punk

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From the depths of the uncharted wilderness (or is it “wildness”?), Nardwuar the Human Serviette, John Collins, Stephen Hamm, Nick Thomas and Shawn Mrazek, known hereafter as The Evaporators, release 8 new songs in the form of a digital download and coloured vinyl LP, titled Ogopogo Punk!

The Evaporators sing about a lot of things on Ogopogo Punk including: shaving, mohawks & dreadlocks, eating to win, the mythical landlocked BC monster the Ogopogo, Skagit Valley’s Chuckanut Drive and a whole lot more!

Over the past decade The Evaporators have graced stages / halls / living rooms with everyone from Anal Mucus to Sleater-Kinney to the Whack Attack Puppet Show.

 

The Marshmallow Notebooks — S/T

Matija Habijanec aka The Marshmallow Notebooks is a singer-songwriter from Croatia. The North American vinyl reissue of The Marshmallow Notebooks album is available now.  This version of the sold-out Croatian LP has been remastered, and repackaged with a brand new cover art and two new, never before released songs.  Available for a limited time!

 

The Few — Fragments of a Luxury Vessel

All music improvised by Macie Stewart, Charlie Kirchen and Steve Marquette. Side B, Track 2 contains melodic material from Albert Ayler’s “Truth Is Marching In”.  All tracks recorded, mixed and mastered by Dave Zuchowski.  Side A, track 1 recorded at a concert held at Elastic Arts in Chicago, IL on August 13th, 2015.  Side A, track 2 recorded at a concert held at the Comfort Station in Chicago, IL on October 1st, 2015.  Side B, tracks 1 & 2 recorded at a concert held at Constellation in Chicago, IL on April 9th, 2016.  Limited edition of 500 — Buy now!

 

Holly Bowling — Better Left Unsung

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Holly Bowling’s Better Left Unsung is a collection of classical solo piano arrangements of the music of The Grateful Dead. A classically trained pianist, Bowling possesses one distinction that sets her apart from similarly studied musicians—a devotion to improvisational rock music and the vision to painstakingly transcribe “jam” masterworks note-for-note, arranging them for solo piano and improvising upon what was already written. Last year, Bowling released Distillation Of A Dream: The Music Of Phish Reimagined For Solo Piano to wide acclaim. So it only seems fitting that she turns her attention to the music of The Grateful Dead for her second album. Containing over two hours worth of music, Better Left Unsung is available as a triple-LP set.

“Franklin’s Tower,” “The Other One” and “China Doll,” are among the songs Bowling recorded for the album, in addition to an entire solo piano arrangement of the “Terrapin Station” suite. Bowling’s favorite version of “Eyes Of The World” from Louisville’s Freedom Hall in 1974 receives a complete transcription, as well.

Phish song, “Tweezer,” is what first inspired Bowling to begin transcribing and arranging the music of her favorite artists for solo piano. After witnessing a moving performance of the song at Lake Tahoe on July 31, 2013, Bowling sat down and transcribed the 37-minute performance note-for-note. When performing these pieces, Bowling uses her classical piano technique to make each song her own work of art.

 

Brutal Juice — Welcome to the Panopticon

Brutal Juice — Their most sprawling and ambitious effort to date: Old-school molten metal, Gothic Dream Interpretation, Full-on Thrash, and a shit-ton of face melting guitar wizardry accompany you on this journey through Profane and Paranoid Alternate Histories, Psychedelic Nightmares, Oppressive Futuroid Dystopias and Finally Revolution, Scorched Earth and Catharsis.

 

New Record Pressing Machine!

Our new press was delivered to us today….. It’s a beauty! Built in the USA by Record Pressing Machines, LLC. Our mechanic Paul is working his magic getting it set up right now.  We want to press your next record!

 

Black Friday!

Be sure to seek out these indie releases on Black Friday!  Thanks to Good Records, Shake-It Records, MVD Audio, Lakeshore Records, Colemine Records, and Daptone Records for letting GGR press these records.  Happy Thanksgiving from the Gotta Groovies!

Alice Cooper – Live From The Astroturf 7″

Jeremy Pinnell — OH/KY Live

Wussy — Funeral Dress II

Stone Roses — Sally Cinnamon

Bill Callahan — Apocalypse: A Bill Callahan Tour Film

Underworld Soundtrack

Betts, Hall, Leavell, Trucks — Live At The Coffee Pot 1983

Ikebe Shakedown — Hard Steppin’

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The Dip — Won’t Be Coming Back 7″ 

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Frightnrs — Dispute/Version 7″

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Olympians — Sirens Of Jupiter / Apollo’s Mood 7″

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The Leland Bluebird Sessions

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The Leland Bluebird Recording Sessions is a project instigated and brought about by Waterloo Sunset Records and inspired by the work of the Fox Valley Blues Society, Blues On The Fox Festival Committee and the Fox Valley Music Foundation. The project is a recording tribute to the records that were produced on the top floor of the Leland Hotel in Aurora, Illinois during a period in time beginning on May 4, 1937 and ending on December 19,1938.

The cream of the crop in the Chicago and St. Louis blues scenes were assembled on a variety of dates during that period to record tracks for the Bluebird Label. The sessions were the brainchild of a Chicago businessman and freelance A&R person named Lester Melrose. Tampa Red, Washboard Sam, Big Bill Broonzy, Big Joe Williams, Walter Davis, Henry Townsend, Robert Lee McCoy, Merline Johnson, Sweet Peas Spivey, and a very young, John Lee Curtis ‘Sonny Boy’ Williamson, amongst others, participated in many of the sessions.

The recordings are considered to be historic and very influential in laying down a foundation for rock and roll, big band music and post-war blues. The sessions helped to establish the harmonica as a lead instrument in blues ensembles while also lending credence to the notion that recordings sessions could be quick and efficient in using ‘house bands’ comprised of lead and session musicians accompanying each other on each other’s songs.

The rediscovery of these historic recordings lead to the formation of the Fox Valley Blues Society and the founding of the Blues On The Fox Festival both based in Aurora, Illinois. Several of the artists that participated in the original sessions are now members of the Blues Foundation’s Blues Hall of Fame and the song, ‘Good Morning, School Girl’, written and recorded by Sonny Boy Williamson, has also been inducted into the Blues Hall of Fame.

The purpose of this tribute project is to pay homage to the artists that participated in those original recording sessions, and to help to ensure that their memory and those songs remain prominently known for ages to come.

 

Carsie Blanton — So Ferocious

Carsie Blanton is a singer/songwriter based in New Orleans. She has toured with Paul Simon, the Wood Brothers, the Weepies and Joan Osborne.

Her newest album – So Ferocious — is available now.

 

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