Gotta Groove Records

Gotta Groove Records

Record Pressing Specialists – The Best Sounding Records On Planet Earth.

Posts Tagged ‘pressing vinyl’

Record Highlight – Superstorms

 

 

 

 

 

 

 

 

 

Superstorms, a new solo project by ex-Tusco Terror/sometimes Trouble Books member Michael Tolan, is born out of creative impulses that are simultaneously subversive of and sensitively attuned to their musical lineage(s). Frustrated and bored with the tropes of contemporary ambient music, Tolan began experimenting with harsh digital samples and clipping source material, finding himself liberated at the prospect of productively using sounds which previously would have been left to lie dormant on the cutting room floor. He began working with a palette comprised of in-the-red, bit-crushed digitalia, setting to work kneading these stubborn blocks of harsh sound into a sequence of five pieces which, despite their considerable barbs, retain the fluidity and pathos of the ambient tradition from which they were inspired. Tolan’s Tusco Terror/harsh noise connections rear their head in the form of both the intensely prickly and pointillistic aspects of each composition and by way of the informal, spontaneous, almost punk sensibilities which they each possess. Indeed, Superstorms is at once organic and robotic, forceful and calm, coherent and unpredictable. In short, it is a meshing of oppositions- binaries smashed together and expertly sculpted into truly powerful sonic miasma.

Record Highlight — Balmorhea

 

 

 

 

 

 

 

 

 

Available from Western Vinyl:  On Stranger, Balmorhea continues the cosmic dialog they began with their eponymous debut in 2007. Though the spirit of Texas’ early inhabitants and the weight of the night sky inspired previous albums All is Wild, All is Silent (2009) and Constellations (2010), Stranger shifts the focus from the celestial to the terrestrial, or more accurately, it begins to explore the celestial resonance in all things terrestrial.

Balmorhea’s music has always been guided by the experience of living in Texas, but with Stranger the band moves beyond contemplative reverence for the land and the history of their home state. The most forward-leaning of their catalog, Stranger presents worlds of tenderness, aggression, estrangement, and freedom using an expanded sonic palette including guitar loops, vibes, synthesizers, ukulele, and steel pan drums. In addition to these new sounds, electric guitars and percussion take the stage once occupied by piano and acoustic guitars.

Stranger explores the kinetic rhythms that dictate our day-to-day lives, fascinated by the wanderlust that drove the itinerant hearts of our earliest settlers and that continues to pulse in the kids roaming Texas’ suburban sprawl. Unsettled, but patient, these songs embrace everyday sensuality, youthful discovery, and nomadic reverie…awe-struck by the divine energy that permeates all of our earthly fauna and flora.

 

Record Highlight — Xenat-Ra

 

 

 

 

 

 

 

 

 

While many bands claim to be eclectic, Xenat-Ra truly lives it. Based in Corvallis, OR, Xenat-Ra is the result of years of shared musical experiences and a rich sonic vocabulary. Xenat-Ra owes allegiance to no particular genre, borrowing sounds from the fringes of hip hop, jazz, progressive rock, dub, metal and any other style that crosses their path. The sound can be spacious or dense, freely improvised or strictly composed, deeply funky or aggressively atonal, all topped by Monk Metz’ rapid-fire, often surreal, poetry. All original material is collectively composed and arranged. Xenat-Ra also pays tribute to a wide range of artists by covering and often radically re-arranging their material, treating Soundgarden’s Black Hole Sun as a free jazz ballad/samba, covering Kraftwerk as a boogaloo, merging an Old Dirty Bastard hit with a Thelonius Monk jazz standard, or covering John Zorn, Led Zeppelin, Emerson Lake & Palmer, Weather Report, Public Enemy, Sun Ra, and Slayer, among others.

The band has been working on its new record, Science for the Soundman for over two years, and they have now shipped.  Hit up the record release show on October 6 if you are able!

Cleveland Rocks!

Didn’t you already know? Well, now to support & preserve Cleveland’s popular music culture, and enrich local social welfare & economic growth by stimulating music-centered initiatives, the new non-profit organization called Cleveland Rocks: Past, Present and Future is officially launching with a bang.

Cleveland RocksPPF was awarded its nonprofit status from the IRS on August 9th, and the organization is ready to move forward with programming and fundraising. The project will work to support and grow Cleveland’s music scene and also document the rich legacy of the region as an important historic center of rock and roll and other popular music.

To kick off this initiative and help raise some needed funds, Ian Hunter is doing a special fundraiser and Legacy Project Q&A on Wed. Sept. 26, the night before his Beachland appearance.

Click here for ticketing and event information.

Record Highlight — Sleeping At Last

 

 

 

 

 

 

 

 

 

Ryan O’Neal’s journey has taken many turns over the past twelve years under the moniker of Sleeping At Last. What began in 1999 as a Chicago-based teenage garage band has organically transitioned to original songwriter O’Neal as a solo artist continuing the gorgeous thread of work that has amazed and captivated listeners over all these years.  His 2006 album Keep No Score is finally receiving the vinyl treatment, and available for order now (double LP in elaborate gatefold packaging, and includes a digital download).

Record Highlight — Sondre Lerche

 

 

 

 

 

 

 

 

 

 

 

 

After twelve years of being disappointed by professionally recorded live shows Sondre Lerche had almost given up on trying to capture the rawness and chaos of his performances. But hearing this live show recorded in his hometown of Bergen, he knew his sound engineer Erik Freding had done it–“this is as close to the feeling of actually being up there on the stage as I’ll ever get on a record,” Sondre. And so in honor of his 30th birthday and after ten years of recording albums, Mona Records is proud to release the first official live Sondre Lerche album Bootlegs.

Also, be sure to watch for the first time vinyl reissues of Duper Sessions, Two-Way Monologue, Faces Down, and Phantom Punch – all streeting on October 2.

 

Record Highlight — Aleks & The Ramps

 

 

 

 

 

 

 

 

 

 

Aleks and the Ramps are an experimental-pop band from Melbourne, Australia. They don’t really sound like anyone else, but if you like Pavement, Of Montreal, Taco, or Roy Orbison you stand as good a chance as any of liking them.  The only physical version of the album is the vinyl that just left GGR this week, so grab them while you can!

Record Highlight — CR200

CR200 is the 200th release from Rochester, NY-based Carbon Records label. The release consists of a compilation LP and a 4-cassette box set, with some of the musicians who have supported Carbon over the years.

The LP includes: r.nuuja (Pengo), Col. Parmesan (Thunderbody), Dr Hamburger (Tumul, Jungle Heart), Entente Cordiale (members of Tumul, Hinkley, Muler, Blood and Bone Orchestra), Stone Baby, Martin Freeman, Tumul, Jungle Heart, Bruise Halo, Chris Reeg (Blood and Bone Orchestra, Ian Downey is Famous), Joe Sorriero (Nod), Licker (Pengo), Drippers, Andy Gilmore, Pengo, MntDst, Bloody Noes, Autumn in Halifax and more.

Record Highlight — Ryan Bingham

 

 

 

 

 

 

 

Ryan Bingham‘s highly-anticipated new album, Tomorrowland, streets on Tuesday September 18 at stores everywhere.  But, you still have a few days left to pre-order the vinyl — according to Ryan’s website, all pre-orders will get a signed copy!

 

Record Highlight — Mike Coykendall

 

 

 

 

 

 

 

 

 

 

 

Portland, Oregon-based songwriter, performer and producer Mike Coykendall‘s new record, Chasing Away The Dots, is the latest in a long and winding musical journey that has taken him from the rural farmlands of Kansas to television and concert stages around the world. If integrity, experience and artistry still count for anything, this record will be his most well-received to date. Over the years, Coykendall has been critically acclaimed as a musician, engineer and producer for his work with well-known artists such as M. Ward, She & Him, Blitzen Trapper, Bright Eyes, the Old Joe Clarks, Tin Hat, Sallie Ford, Richmond Fontaine and Jolie Holland, to name but a few.

The sounds contained within the grooves of Chasing Away The Dots range from earnest to irreverent, wistful to scorching, direct to oblique, always with an underpinning of subtle psychedelia. The mood lifts and falls while Coykendall’s distinctly American voice casually narrates the whole affair. Lyrically, the album takes on such universal subjects as loss, love, alienation, separation, longing, aging, infatuation, kindness, and other human conditions. These themes emerge, filtered through the eyes and ears of someone who has bee around long enough to live through it, and return, several times over–a man who knows that the sun will rise, and so will the moon.

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