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Posts Tagged ‘pressing records’

Record Highlight — David Feldstein

After 20 years on pause, David Feldstein has finally crafted his debut album to represent his love of guitar-driven rock interwoven with catchy hooks and folktronic rhythms. Raised in Chicago and exposed to the burgeoning 90’s scene, David wanted to take his influences of Smashing Pumpkins, Urge Overkill and others and meld them into his own unique sound. These song structures and riffs have been bouncing around his mind for two decades. Surrender The Silence is David’s effort to showcase those ideas while trying to express something that is uniquely his own. The title track’s wall of overdriven electric guitar is in juxtaposition to the acoustic arrangements of “Grand Inspiration” and the folktronic beauty of “Gravy Train.” Having a work that is uniform was the antithesis of David’s motivation. David sought to highlight his many influences and express the core value of guitar-driven music with which he was raised. “There’s something about cutting a solid album where each song is different and unique that intrigues me.” Using some public domain speeches as a backdrop to the music give the tracks a textural flair. This album shows the listener where David Feldstein has landed after so many years.

 

Record Highlight — Monk Parker

Monk Parker‘s first studio album – How The Spark Loves the Tinder is available now from Bronze Rat Records.  Parker serves up an alt-americana so sedating in its pace, that you might actually live a few years longer when you finally come back around from the time-slip it puts you in.  Pre-order now.

 

Record Highlight — Vision Control

Image of Vision Control 7"

NYC skronk & dance by John Pugh (Free Blood,!!!).  Limited to 500 copies, with silkscreened covers….available from Fast Weapons.

 

Record Highlight — William Alexander

Residing on the Southern California coast, young songwriter William Alexander infuses sound and culture and turns them into compact pop gems. For years he has  been developing an extensive song catalogue as sun-streaked and sugary as his SoCal peers but with a relaxed modernity that is distinctly his own. Now with the help of east-coast indie upstart Yellow K Records, Alexander will finally share his recordings. His debut album, Strangest Things, is available on vinyl for the first time!

 

Record Highlight — Soft Sleep

Soft_Sleep_EP

After sorting through a pile of micro cassette recordings he’d made over the last handful of years, Tony Ruland (The Lonely Forest) decided it was finally time to do something with them. He needed some help, so he called up Erik Walters (Silver Torches) and Kyle Holland (Cumulus), and thus, the core of Soft Sleep was born.  The project will feature many guest appearances from past bandmates and touring friends alike – a revolving door!

The Soft Sleep EP includes two of the first completed tracks from the project. Featuring Chris Walla (Death Cab For Cutie) making bass, mellotron, and vocal contributions. This first release from Soft Sleep is divided into 200 clear and 300 pink 7″ vinyl records, and will be available for a limited time from Rocket Heart Records.

 

Record Highlight — Mittenfields

Optimists cover art

Mittenfields‘ new album Optimists is out on vinyl now!  Recorded and mixed by Eamonn Aiken at The Bastille, produced by Mittenfields & Eamonn Aiken, mastered by Harris Newman at Grey Market Mastering, and cover photo by Gilberto Cazares.

Combining a densely layered three‐guitar attack with raw, nervy vocals, Mittenfields have drawn comparisons to some of the best indie rock acts of the 1990s. Far from an exercise in pure nostalgia, however, the DC‐based ensemble has crafted its own unique sound combining elements of indie rock, shoegaze and noise pop.

 

Record Highlight — Montevideo Blues

The one and only album by Dino & Montevideo Blues (Macondo GAM 551, 1972) deserves to be a serious contender as one of the most important, and as it happens, most grooving, records ever released in Uruguay. But there is another reason that the album has attained exalted status: the incisive power of the lyrics, which are all the more impressive considering the national turmoil out of which they were created. Montevideo Blues was founded by Uruguayan song-writing legend Gastón “Dino” Ciarlo as a way to fuse the rawness of rock music with obscure native Uruguayan rhythms like malambo, milonga and chamarrita—a logical direction to pursue after Dino had attempted pop/candombe fusions in his solo recordings.

 

Record Highlight — Chris Mills

Ten years ago, in the middle of freezing Chicago blizzard, Chris Mills got together with seventeen of the best musicians he could find to make his fourth album, The Wall to Wall Sessions.

They recorded and mixed the whole album, completely live to tape, the way a lot of Chris’s favorite records were made years ago – no overdubs, no computers, no nonsense.

His co-producer and arranger David Nagler created beautiful orchestral scores for all ten songs that were then played live by Chris’s crack, seventeen piece City That Works band, while engineer Dan Dietrich captured it all in living stereo on a Studer 1/4 inch 2-track tape machine. It was a big undertaking, but what they ended up with was (in Chris’s opinion) one of the best things he had ever done.

The only problem was, even with all of that old-school analog production, the final product ended up in the computer anyway – mastered digitally and then released on CD.

Until now.  The 10th Anniversary release of The Wall to Wall Sessions is available very soon on vinyl for the first time ever – newly remastered completely in analog.

 

Record Highlight — Camerado

Camerado

An indie rock supergroup of sorts, Camerado’s origins go back nearly six years, when Undertow Music Collective co-founder Mark Ray began writing a new batch of songs after moving to Portland, Oregon from the midwest.

Inspired by the untimely passing of his father and his family’s subsequent journey westward, Ray completed demos of the songs in 2010, sharing them with friend and frequent collaborator, and revered Denton, Texas drummer/producer Matt Pence (Centro-matic, Justin Townes Earl, Midlake), who felt the tracks should be realized as a proper album. Aided by Portland producer​/musician John Askew (The Dodos, Richmond Fontaine, Neko Case), the self-titled record was completed in Fall of 2014.

Shimmering with plaintive, pastoral textures, the eponymous album reveals Ray’s love of seminal early 70s work by ELO, Badfinger, and Pink Floyd fused with a​ lean,​ Pacific Northwest indie sensibility.

 

Record Highlight — Session Americana

Session Americana (Boston) is a rock band in a tea cup, or possibly a folk band in a whiskey bottle. This band/collective of talented musicians craft an musical experience unlike any other. On stage is a collapsible bar table wired with microphones, a vintage suitcase recast as a kick drum, an old Estey field organ, a pre-war parlor guitar, a mandocello and all of its smaller siblings, a harmonica case fire damaged when Jack’s bar went up in flames and graffitied by Depeche Mode roadies, and an assortment of other instruments that get passed around in this freewheeling modern hootenanny. The anything-could-happen feel of a Session show depends on craft that’s not accidental or easilywon; they bring a kind of ease and genuineness to this timeless music, sometimes presenting the latest batch of original songs, sometimes reaching back into depths of the American “song bag”.

The new album, Pack Up The Circus, was mixed by Paul Q. Kolderie, engineered by Matt Beaudoin and Ry Cavanaugh, recorded at Q Division and Larboard Studios, and mastered by Ian Kennedy at New Alliance Studio.

 

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