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Alessandro Cortini and Merzbow — EMS Sessions

Alessandro Cortini (Nine Inch Nails) and Japanese noise legend Massami Akita (Merzbow) bask in their mutual love for the EMS Synthi, a British synthesizer from the early 70’s notorious for it’s patch matrix, portability and distinct tone.

Astonishingly, these two disparate artists meld into a single sound as they flex the analog circuitry of the EMS Synthi in new ways; giving this classic synth a modern workout and proving that, in capable hands, a 40 year old analog synthesizer is a tool for the ages.

IMPREC431 available now.

 

Strange Americans — Borrow You, Brother

It’s the kind of music that the Carhartt-wearing, hard-working, industrial beer-drinking, regular Americans would listen to — the ones who could end up on an episode of TV’s Dirty Jobs. It’s a little raw, a bit loud, unapologetic and honest. It’s Americana rock and roll and it’s something that Denver’s Strange Americans are crafting with both brawn and finesse, like a hot rod mechanic bringing back an old barn find.

In a sense, Strange Americans are rescuing something from the rust pile — straight-forward, no frills rock and roll, and a matching aesthetic that is heavy on songwriting and storytelling, but presented with reverb-drenched punch and passion — the way The Band or Crazy Horse would have done it.

Borrow You, Brother is the new full length album, available now —  recorded with Echo Lab engineer and producer Matt Pence (Centro-matic, Justin Townes Earle).

 

Good Morning — Glory/Shawcross

Good Morning are a two piece recording project made up of Stefan Blair (Gemini) and Liam Parsons (Aries) from Melbourne, Australia. The two met in high school and have been writing songs ever since. In 2013, they went halvies in a Foxtex 4 track tape machine; Good Morning is the result of that investment.

They have released two mildly received EPs, Shawcross and Glory, and some similarly received singles. In a live setting they are joined by James Macleod (Libra) and John Considine (Sagittarius). Together they have performed in the United States at CMJ Music Marathon and most of Australia.

 

Matthew Stubbs and the Antiguas — Self Titled

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Matthew Stubbs is a Boston based guitarist and songwriter.  In 2016, Matt formed Matthew Stubbs & The Antiguas, an all original, instrumental psych rock project.  With the Antiguas, the focus is on the song, and the vibe and energy of live performance and sound experimentation.  The Self Titled LP is available soon!

 

The Wood Brothers — Live At The Barn

Recorded live at Levon Helm Studios AKA The Barn in Woodstock, NY on August 19, 2016. Live at The Barn is available now!  The vinyl master was cut by Clint Holley at Well Made Music, and the LP package includes a download of a digital version of the album.  Grab one today!

Tracklist:
01. Mary Anna
02. I Got Loaded
03. Tried And Tempted
04. Trouble In Mind
05. Who The Devil
06. Wastin’ My Mind
07. Postcards From Hell
08. Honey Jar
09. Ophelia

 

Jason Isbell and the 400 Unit — The Nashville Sound

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Grammy Award-winning singer, songwriter, guitarist Jason Isbell and his mighty band, The 400 Unit, have announced the June 16th release of the highly anticipated new album, The Nashville Sound (Southeastern Records/Thirty Tigers). The Nashville Sound is the follow up to 2015’s critically acclaimed Something More Than Free.

Without exaggeration, Jason Isbell has become one the most respected and celebrated songwriters of his generation. He possesses an incredible penchant for identifying and articulating some of the deepest, yet simplest, human emotions, and turning them into beautiful poetry through song. Isbell sings of the every day human condition with thoughtful, heartfelt, and sometimes brutal honesty, and the new album is no exception.

Pre-order now!

 

Drew McDowell — Unnatural Channel

Unnatural Channel LP

After the long overdue release of Drew McDowall’s debut solo album “Collapse” in 2015, the experimental music underground saw McDowall as an arrival of an artist that was always here, hiding in plain sight. He was quietly in the background, pulling the levers on some of the most influential recordings in electronic music and with shifting his focus from the role as band member of such legendary acts as Coil & Psychic TV along with his recent collaborative efforts alongside Tres Warren (of Psychic Ills) in Compound Eye, McDowall came to finally identity as a singular artist and figurehead to a movement that has vitally required his presence.

His second full length endeavor for Dais Records is aptly titled “Unnatural Channel,” allowing McDowall to allocate offerings to the ghosts of his past using methods not fully understood.  Moving forward from the impact left with his first album, “Unnatural Channel” moves McDowall into more uncharted territory. From the opening mark, Drew’s distinct fingerprint is evident on the track “Tell Me the Name”, his signature ambient ebb and flow to pulsing electronics painted over reverberated percussions that have been pulled apart and spun around the spectrum.

Read more and order here…

 

The Lost Counts — Found!

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The Lost Counts will help you find your soul. Whether it be in a funky soul-jazz organ cooker, a Memphis-soul stew, or a piping hot gut-bucket boogie, these boys will get you moving. The Lost Counts are comprised of members, Josh Perdue on guitar, Nate “Count” Basinger on Hammond Organ, and either ace percussionist Johnny Radelat or Bobby Trimble on drums. Although The Lost Counts specialize in the kind of instrumentals that cause rare groove aficionados to salivate, guitar slanger Josh Perdue, also boasts some soulful pipes!

 

Laser Background — Dark Nuclear Bogs

Laser Background

Andy Molholt twists vast assortments of wonky sounds into kaleidoscopic psych-pop as Laser Background, and later this week he’ll release a whole batch of knotty new tunes on his album Dark Nuclear Bogs (an anagram of the band name). It’ll serve as the follow-up to last year’s deliciously dizzying Correct and finds Molholt softening some of the project’s rougher edges to make for a listen equally as inventive but that goes down a bit easier.

“Francine” is a mid-tempo ballad that manages to blend warbly ringing and a geometric guitar line into a dreamy mosaic. Meanwhile “Climb The Hill” uses Saturday morning cartoon keyboards alongside a relentless drum machine to create a melodiously twisted fantasy. And on “Slubberdeguillion,” Moholt throws his voice through a blearing processor to sound like nothing short of an intoxicating nightmare. Altogether, the album congeals into a remarkably holistic listen. As Molholt explains:

The first track “Mostly Water” is meant to be a song about birth, about beginning anew, and the last track “Bright Field” is very specifically about death. So there is a bit of a journey to this album, and a lot of self-reflection. I intentionally repeated words, phrases, musical ideas, etc. in different spots on the record.

Listen and check out the band’s upcoming tour dates below.

05/12 – Fayetteville, AR – Backspace
05/13 – Dallas, TX – Armoury D.E.
05/14 – Austin, TX – Hotel Vegas
05/15 – San Antonio, TX – Limelight
05/16 – Houston, TX – Walter’s Downtown
05/17 – New Orleans, LA – Siberia
05/18 – Atlanta, GA – The Earl %
05/19 – Knoxville, TN – Pilot Light
05/20 – Raleigh, NC – Ruby Deluxe
05/21 – Richmond, VA – Gallery5
05/24 – Arcata, CA – Richards’ Goat Tavern
05/25 – Portland, OR – The Know #
05/26 – Seattle, WA – Lo-Fi Performance Gallery #
05/27 – Vancouver, BC – Hidden City Records #
05/28 – Olympia, WA – Le Voyeur
05/31 – Sacramento, CA – Starlite Lounge √
06/01 – San Francisco – Different Fur Studios
06/02 – Oakland, CA – Eli’s Mile High Club
06/03 – Los Angeles, CA – TBA
07/07 – Brooklyn, NY – The Glove √
07/08 – College Park, MD – The Void √
07/09 – Philadelphia, PA – Everybody Hits √

^ w/ Norwegian Arms
% w/ Breathers
# w/ Jo Passed
√ w/ Pregnant

Brainstory — Self Titled

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Brainstory is a tale of brothers bounded by blood, by fate, and a small town with nothing to do. Brothers brought together by some unknown magic that would set them free to create, to sing, and to play a music of the soul. To open a window of truth in a world of auto-tuned hamburger egos. To forever be pushing long hair out of their eyes as they explore the cosmos beyond the hot, dusty, world in which they’ve dwelled. And what a universe it is. One part Jazz and one part Psychedelia, with a whole lotta Soul put in the middle. Add some Hendrix and Mayfield, some Bossa, and some afro-latin groove and you’ve got the right idea. Pure fun-love-exploration music.

Their story begins in the long lost lands of the San Bernardino Valley, in the twilight zone known as Rialto, California: A hot, arid, dusty, wasteland of boredom and dirty trash-filled empty lots, which could’ve only given rise to the backyard punk jams of the boy’s teenage youth. Through Punk and skateboarding, brothers Kevin and Tony Martin found liberation from the monotony. But soon a hunger for more would grip the boys—for they grew up in a rich musical world far beyond that of the hardcore punk they admired. As long as they could remember, they were surrounded by their father’s soulful gospel expressions as a popular lead vocalist in the church. Every Sunday was a lesson in soul bearing performance. Frequent weekend visits to Grandma’s house also were important in shaping their musical destinies. As an avid Jazz and R&B fan, Grandpa Juan played the likes of Duke Ellington, Louis Jordan, Johnny Hodges, Count Basie and other 30’s and 40’s artists both on the turntable and on his tenor/alto sax. Swinging was the key lesson. Thus naturally, Jazz, folk, soul, and psychedelia would soon make a feast upon the brothers’ souls. “Bitches Brew (the Miles Davis album) was a big one for me”, says brother Tony. “All my life I had lived with a hunger for imagination and adventure. After listening to this album here was everything I craved, crafted in sound. After that first listen, I knew I wanted to be a musician.” In their early years, it was normal to hear the Doors blasting out of one room and Coltrane out of another. Sometimes it was Bob Dylan and Monk butting heads. Or Mingus and Smokey. There was always an eclectic set of ideas, melodies, and sounds. College and girlfriends may have separated them for a while but the calling was always there. It just wasn’t the right time. Many bands, gigs, and demo-recordings later, the final piece would be found to unite the brothers at last.

Originally an acoustic guitar duo the band grew into a full piece outfit with the return of Tony and the addition of longtime jazz trio member Eric Hagstrom. Armed with a renewed love for the electric jazz sounds of their inspiration, the trio of destiny was now complete. The new EP is out now, and the band is touring with Chicano Batman through the summer.

 

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