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The Rad Trads — Must We Call Them Rad Trads

Based in New York City, The Rad Trads have quickly gained a reputation as one of New York’s most entertaining live acts. They bring their love of the game to a diverse style of soulful American music, with influences ranging from early jazz to New Orleans brass band, R&B, the Chicago and delta blues, and rock & roll. Featuring three powerful horns, a driving rhythm section, and three captivating lead vocalists, The Rad Trads consistently win over audiences with their relentless energy, charisma, and enthusiasm.

Must We Call Them Rad Trads is available on vinyl (+digital download) from Dala Records now!

Prairie Empire — The Salt

Prairie Empire is a Brooklyn-based band fronted by Brittain Ashford with Nim Ben-Reuvenon drums. The band will be touring this summer with the support of Jacki Paolella on bass, keyboard and vocals.

The first Prairie Empire album was released on Trailer Fire Records and recorded (unknowingly) in a Portland living room with the band Harlowe. Prior to that Brittain recorded a handful of things in her bedroom under her own name, most notably There, But For You, Go I, which was released on Paris-based Waterhouse Records.

When not writing for Prairie Empire Brittain performs with Dave Malloy‘s Ghost Quartet; she will head to Broadway in the fall with Malloy’s Natasha, Pierre and the Great Comet of 1812. Nim Ben-Reuven is a freelance art director & graphic artist and is a hand-lettering badass.

Their next album, The Salt, will be released on Commodore Trotter Records very soon!

Calliope Musicals — Time Owes You Nothing

Texas Platters

Calliope Musicals is a cheerful psychedelic party folk band from Austin TX. Their high-energy live performance focuses on involving the crowd. A psychedelic squad of musicians fill in their folksy roots with a mix of vibraphone, tribal drums, bass, lead guitar and explosive vocals. The band exudes feel-good vibes that aim to swallow listeners and spit them out as happier versions of their former selves.

The new album – Time Owes You Nothing – is available now!

Record Highlights – Dark Entries Releases

Four new titles shipped for Dark Entries Records – pre-orders for each are up now!

Ghibli – I’m Looking For You

Ghibli is the solo project of musician, producer, and vocalist Alberto Garbelli, from Milan, Italy. At the age of 23, while reading a comic book, he encountered the word Ghibli, which is the name of the wind of the North African desert – and also a Maserati car model. Inspired by Klaus Nomi and Nina Hagen, he began to sing in an operatic fashion. During this time Alberto would frequent the local discotheques. Watching the unique mix of performers and dancers, Alberto lost his inhibitions and was inspired to become an artist.

Some Bizarre – Don’t Be Afraid

Some Bizarre are a trio formed in Bergamo, Italy in 1983. The line-up is Marino Scarabelli (music, producer), Tiberio “Tyber” Scarfone (arrangement, producer) and Stefano Brignoli (lyrics, vocals). Tiberio was a DJ at a local discotheque, where he met Marino. Initially they considered calling themselves Funny Marvin, but settled on Some Bizarre after recruiting Stefano, whose initials mirror the name.

Brand Image – Are You Loving?

Brand Image is a trio formed in Bergamo, Italy in 1983. Created by the same group of musicians as their previous project Some Bizarre. The line-up is Marino Scarabelli (music, producer), Tiberio “Tyber” Scarfone (arrangement, producer) and Stefano Brignoli (lyrics) and vocalist Mauro Farina. Originally, Stefano sang the song but his performance was too close to the brand new Some Bizarre single, so they recruited Mauro for distinction.

Danio Dell’Aere – Eagles In The Night

Dario Dell’Aere is a New Wave musician, producer and singer from Milan, Italy. At the end of the 1970’s Dario performed in a mime show influenced by the glam cliches of David Bowie. In 1979, he met Victor Life outside a cinema, and began a lifelong collaboration of projects: Diamond Dogs, Ice Eyes and Fockewulf 190. Musically, the duo were inspired by the Human League’s “Reproduction” and John Foxx’s “Metamatic”, while they took visual cues from the New Romantics Visage and Ultravox. With the Fockewulf 190 moniker, they created their own dark blend of Italo disco and New Wave, and released the hit singles “Gitano” and “Body Heat” in 1984.

Record Highlight — Darren Keen

He's Not Real cover art

Darren Keen has been performing for over ten years under the monikers The Show is the Rainbow, Touch People, and now his given name. His new album, He’s Not Real, continues to explore Footwork, Juke, Bass, and African polyrhythms, merging these various forms with the ease of a master producer and lifelong dance-music aficionado. Minimal in execution but complex in it’s composition and forward motion, He’s Not Real functions as thrilling club music while sitting on the edge of the avant-garde’s recent fascination with rhythm and deep bass. Available from Orange Milk Records.

Graphic (HD035) cover art

Austin-based darkwave metal trio Troller is proud to announce their second LP, Graphic (out 4.8.16 on HOLODECK). The music video for “Not Here,” the first single off of the new LP, premiered on FACT Magazine recently. Despite the underground success of the critically acclaimed 2012 self-titled debut, Graphic manages to eclipse the broad appeal of the first record’s addictively ominous pop anthems. Troller’s focus on layered composition and biting sound design has resulted in a highly developed work that embodies the band’s unique raw form while raising the benchmark on fidelity and experimentation. Graphic arrives perfectly unhinged and hideously sophisticated, reinterpreting familiar elements from their debut LP, and propelling the trio’s provocative sensibilities explicitly further.

Holodeck is excited to announce its official 2016 SXSW showcase, which will take place at Lucky Lounge in Austin on Friday, March 18th. The lineup features heavy-hitting Holodeck artists, including Troller, SSLEEPERHOLD, Dylan Cameron, Samantha Glass, and Bill Converse, as well as New Orleans synth duo ((PRESSURES)). The night will be headlined by Inhalt, a Bay Area-based darkwave band.

Record Highlight — Al Nobriga

AL NOBRIGA | My Last Disco Song

A rare look into the discotheque era of Waikiki, Al Nobriga’s “My Last Disco Song” tells of a time when nightclubs lined Kalakaua Avenue and practically every hotel hosted live entertainment. Seven days a week, locals rubbed elbows with visitors in discos like The Point After, Cock’s Roost, Garden Bar, Infinity, Duke Kahanamoku’s, Foxy Lady Too, Valentino’s, Hawaiian Hut—the list goes on.

In the years following the release of Al Nobriga with Island Company’s LP, They’re Playing My Music, a massive shift in Waikiki’s tourism industry began. More and more nightclubs closed their doors or hired duos and disc jockeys to entertain guests. The venues that once lined Kalakaua Avenue eventually gave way to newly constructed luxury shopping centers, a trend that continues into the 21st century.

Nobriga offers a poignant escape from what would soon become decades of ongoing development in Waikiki. Not just another yacht rock tune, “Break Away” carries the listener to a place where one finds enlightenment in the tropical winds and cool ocean blue, far from the concrete jungle of Honolulu.

Record Highlight — Pippo Spera

Lilting melodies, including a shimmering cover of Eduardo Mateo’s ‘Mejor me voy,’ infused with an undercurrent of bossa nova and the drowsy, faded memory of sun-drenched islands. All of this melodic loveliness is made ever-so-groovy in an Afro-Cuban sort of way thanks to a mighty contribution from world famous percussionist Jorge Trasante, Totem drummer Roberto Galletti, and Limonada drummer José Luis Sosa. Pippo Spera had come into the orbit of Uruguayan master Eduardo Mateo back during the days of El Kinto (one of that band’s finest songs is about a visit by Mateo to Pippo’s house). From 1967 to 1970, Pippo concentrated on studying classical guitar at the Conservatorio Nacional of Uruguay, until the military dictatorship closed the school.

So, Pippo started his songwriter career, which culminated in 1975/1976 with the recording of “A Buen Puerto.” As Pippo says, “It was a beautiful experience to me. I had the help of the best musicians in town, they were like brothers. At that time in Uruguay, nobody used to get money to perform in a recording studio; for the musicians it was a pleasure, it was just love of art…” After the release of this LP, Pippo decided to leave a Uruguay oppressed by a brutal dictatorship. He sailed to Brazil in a ship much like the one hovering behind him on the “A Buen Puerto” album. Brazil was indeed “a good port” for Pippo—he became friends with many of the best Brazilian musicians of those years: Milton Nascimento, Geraldo Azevedo, Renato Rocha, and Alceu Valença, and ended up writing for and playing on Nascimento’s “Clube da Esquina 2” album.

Record Highlight — Aubrie Sellers

“I prefer to create friction,” post-Country chanteuse Aubrie Sellers offers. “Because if you’re not pushing buttons, you’re just making something pleasant, it’s probably been done before… and it’s not making anyone feel anything.”

In this world of pretty little girls who are seen and not heard and reality stars who are famous for nothing, the 24 year old songwriter ain’t buying in. Laughing, she continues, “I’d rather my music be polarizing than everyone like it, because they rarely do. I think passion is a lot deeper than that. I want to go deeper, and be honest that life isn’t just some party and going out. I mean, don’t people feel anything?”

Not that New City Blues is some kind of morbid, maudlin affair. From the cutlery in the blender indictment of surface beauty “Paper Doll” to the lone star drive of “Just To Be With You” and the tumbledown melody of “Sit Here And Cry,” this is a high energy box cutter of emotion: 14 songs marked by the bite and punch of smart girls who know there’s more to life than a cold beer and cut-Offs.

Record Highlight — Danen Kane

A tender, finger-picked acoustic guitar chimes seven notes, descending a scale like a waterfall. Six notes follow, down again but then back up to a hopeful and bright rest. Then, Danen Kane’s expressive voice declares the omnipresence of the Author of music: “He’s in the breath inside you / He’s in the falling rain / He’s in the light that shines on / every morning day.” A subtle, atmospheric electric guitar undergirds the melody with a double-time pulse, lending dimension and gradually moving the listener from reflection to response.

So begins “The Song that Set Us Free”, the standout opening track from Kane’s latest album Flesh and Soul. For the uninitiated, it’s a fine introduction to Danen Kane’s songcraft. His music leads the listener on the sort of journey that makes you look back in wonder and say,how did I get here? Two minutes into “The Song,” and without realizing that Kane has gradually increased the tempo by one beat per minute every 30 seconds, you’ve collected potential energy and you’re eager for something to happen. Then, at 2:15, Kane breaks all convention and lets the song explode. Cymbals crash, lyrical laughter bursts, and celebration ensues.

Danen Kane has never been afraid to break convention in his music, but he has a remarkable ability to maintain accessibility and consistency of voice while creating eclectic and sometimes surprising tunes. Part of that ability comes from his unconventional path to music ministry. Kane’s first love was not piano or guitar, it was basketball. In fact, he didn’t do anything musical until he was 20 years old, when he felt a strong call from God to lay down the hours invested in his sport and focus on pursuing his faith.

Gotta Groove Records

Posts Tagged ‘limited edition vinyl’

The Rad Trads — Must We Call Them Rad Trads

Prairie Empire — The Salt

Calliope Musicals — Time Owes You Nothing

Record Highlights – Dark Entries Releases

Record Highlight — Darren Keen

Record Highlight — Al Nobriga

Record Highlight — Pippo Spera

Record Highlight — Aubrie Sellers

Record Highlight — Danen Kane

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