Early on, as David Kent was getting things rolling with Heavy Velvet, he managed to gather a super-group of musicians to record what has become “Sessions”. Check out the slew of talent featured on this record:
David Kent (Heavy Velvet, Slow Season, David Kent) Erika Leigh (Heavy Velvet) Mucho Drums (Great Electric Quest, Livin Alive, Gygax, Sabbath Buddy Sabbath) Chuck Elder (The English Beat, Electric Soul Co.) Cody Tarbell (Slow Season, The Aviators, Mr. Jimmy) Hayden Doyel (Slow Season, Brim)
Video Age’s first two albums were about loneliness and discovering oneself, but Pleasure Line takes on a whole new attitude, considering songwriting partners Ross Farbe and Ray Micarelli are both getting married this year (just a few weeks apart from each other, too). But these songs aren’t expressions of one-dimensional puppy love—this is euphoria with depth, ecstasy with complications.
Video Age’s third album, due out from Winspear on August 7, 2020, pairs neon-bright 80s pop melodies with a vast range of influences (including Janet Jackson, David Bowie, and Paul McCartney) to create an optimistic sound all their own. The influences vary song to song, but they’re all tinted with the same rosy hue. These are catchy, memorable songs that radiate big “glass half-full” energy. Pleasure Line is a salve that protects against cynicism—listening to this album, you can’t help but feel the world around you is full of romantic potential.
With roots in the Bay Area metal and Albuquerque punk scenes, Russian Girlfriends strikes a careful balance between raw youthful energy, infectious melodies, and thoughtful, story-driven lyricism.
The band formed in 2014, comprised of Albuquerque local scene veterans and ex members of Koffin Kats, Adam Hooks and his Hang-ups, and Glitter Dick. The original lineup; Adam Hooks as lead vocalist, Ian Jarrell and Colin Dowell on guitar, and Jeremy Keith on bass, was completed when Sasha Horn (drummer for Heathen, Novembers Doom, and Forbidden.) joined as the band’s drummer.
Russian Girlfriends’ A-F debut album ‘In the Parlance of Our Times’ arrives on June 21 and serves as the second entry to the 2019 A-F Record Club!
Just before the dust settles from a run of sold-out dates that stretched from coast-to-coast with his co-founding band Camper Van Beethoven, Victor Krummenacher will be hitting the road again. Only this time he’ll be doing double-duty as both the opening and headlining acts. In support of his forthcoming solo album, Blue Pacific (out March 1st), Victor Krummenacher & His Flying Circus will open these shows, followed by his other revered art/psych/prog band, Monks of Doom, who just recently released The Bronte Pin, their first album of new studio material in 25 years. Music critic Nick Spacek writing for the music site Modern Vinyl, called it “a welcome return for the band” and that it “sees them exploring folk-inflected progressive rock that manages to be serene and pastoral one moment, and thunderous the next. It makes The Bronte Pin quite an involving listen, and one you’re likely to dissect for weeks after first listening.”
Blue Pacific marks Victor’s ninth solo effort. The inception of this emotionally-charged project started nearly a year after his divorce, and, as it turns out, it’s one-part exorcism and one-part an effort to heal and put it all behind him.
“It was a really difficult album to make, some of the basics were recorded three times,” Krummenacher admits. “I went through two other drummers before settling on Michael Urbano. There was a lot of tension this time, and [co-producer] Bruce Kaphan seriously went all out to help make the best album we think we could do.”
Despite the fact this record was a direct result of so much pain, heartache and hurdles, musically it turns out to be one of Krummenacher’s most rewarding efforts of his lengthy career – be it solo, or with his other bands. “There was a LOT of time put into this one,” the musician reveals, “and I don’t know if I can really do much better in as far as writing or recording. Between the emotional context and the difficulty in getting all the aspects of the recording taken care of, it was one of the hardest projects I’ve worked on.”
Dirk Mustang is the alter ego of singer/songwriter Marcus Antoni is his epic music project attributed to hard rock and hairbands of the 1980’s. The album aims to deliver a concise articulation of the various forms of rock that evolved starting with arena rock, to the pivotal decline and eventual demise of the styles with the advent of hairband and glam that quickly disappeared in the early 90’s. Each song is like a trip back to the 80’s genre, and highlights what Marcus believed to be the best of the artistic styles that dominated the MTV generation and radio formats of the time.
The name of the album is a clear
defense of the music Marcus (Dirk Mustang) and so many others grew up loving
and listening to and still do to this very day.
The music has become somewhat of a novelty and although many discarded it as a very decadent and narrow style, many guitarists secretly revel in the amazing six string gods who flourished during this time of no holds barred technique which spawned many of the amazing legends who are still touring today. After spending two years on “Leave My 80’s Alone” in his home studio (Green Room Studio) giving much care to detail and performance, if you listen closely, you can hear the crowds screaming and see the lighters held up high!
Huntertones brings people together around the globe with fun, imaginative and fearless music. Their high energy, horn-driven sound fuses inspired improvisation and adventurous composition melding jazz, funk, rock, and soul. Adding depth and contrast to their live set, Huntertones shift from a dynamic six-piece ensemble to a trio featuring saxophone, sousaphone, and beat-boxing, keeping their listeners’ eyes and ears open at every turn.
Huntertones formed in Columbus, Ohio at The Ohio State University and hosted their first shows at a house on Hunter Avenue. They have since relocated to New York City, released three albums, and toured North and South America, Europe and Africa — experiences which have pushed the band to expand even further, stylistically. What started as a group of classmates finding a voice has developed into a highly collaborative group of musicians traveling, sharing, and growing together.
Individually, members of Huntertones have compiled a diverse resume of collaborations with top artists in pop, jazz, soul, and musical theater. This includes work with Jon Batiste and Stay Human, O.A.R., Snarky Puppy, Stevie Wonder, Andy Grammer, Ed Sheeran, Allen Stone, Gary Clark Jr., Phillip Phillips, We Banjo 3, Umphrey’s McGee, Vulfpeck, and more.