Gotta Groove Records

Gotta Groove Records

The Artist's Preferred Pressing Plant.

Customer Highlight — Nick Lowe

Of Nick Lowe, NPR once observed, “Few musicians get better with age, Nick Lowe is an exception.”

His latest album The Old Magic continues Lowe’s late-career evolution with arguably his best collection yet. Amidst urbanely insistent grooves (“Sensitive Man”), and spare-yet-imposing shuffles (“Checkout Time”), The Old Magic features three exceptional Lowe ballads – album opener “Stoplight Roses,” “House for Sale” and “I Read A Lot.” As is his custom, Lowe also peppers the album with three covers — by Elvis Costello, Tom T. Hall and Jeff West — that fit seamlessly with his originals. The Old Magic might be the album title equivalent of calling your shot, but for Nick Lowe it seems more a simple statement of fact.

Available at indie stores everywhere on September 13!

Customer Highlight — Mick Barr

Mick Barr is a nomadic American musician, composer and performer currently based in the NYC/NJ area. Notable for his relentless speed and agility on guitar and avant-garde compositions. He has been an active musician for almost twenty years and has released over 40 recordings. He is most known for his work with the technical duos Orthrelm and Crom Tech, the progressive black metal band Krallice, as well as his 2 solo projects Octis and Ocrilim. He has released records with notable labels such as Tzadik, Ipecac, Profound Lore, Hydrahead and Kill Rock Stars. He has also been an active improviser, releasing records and playing alongside greats such as Zach Hill, Weasel Walter, John Zorn and Milford Graves among many others. He was named one of the 50 fastest guitarists of all time by Guitar World magazine in 2008. In 2009 he was awarded an unrestricted grant from the Foundation for Contemporary Arts.

In 2010 he debuted a new set comprised of a through-composed 40 minute piece for solo guitar. The recording of this work, which is the first proper release under his own name, is being released on LP by Safety Meeting Records based in Mick’s homeland of New Haven, CT. The LPs are now available for pre-order. 500 copies of the album were pressed, the first 150 coming with letterpress paste-on jackets, the other 350 come with reverseboard printed jackets. All records include a letterpress poster insert illustrated by Mick and printed here in the Elm City by Jeff Mueller at Dexterity Press.

Customer Highlight — Ceremony

6 Cover Songs features cover songs from Urban Waste, Pixies, Crisis, Eddie and the Subtitles, Vile and Wire, and were recorded with Dan Rathbun as outtakes during the Rohnert Park recording session. The Covers EP pays homage to a few of the artists that have influenced Ceremony along the way and will continue to inspire them.

Three limited editions are available — Clear vinyl with screenprinted B side; Black vinyl with laser-etched B side; and Red vinyl with screenprinted B side, a HUGE 24×36 inch poster (featuring a photo by Burkhard Muller), and a 2 color 4″x4″ sticker.  Hit up Bridge 9 to grab one or all!

Announcement: New Machine Acquired!

UPDATE #1

09/01/11 — the extruder has been completely restored…..looks better than the day it was bought new!

Original post from 08/06/11 —

Wow, what a difference two years make!  We are approaching our 2-year anniversary this month, and to celebrate, what better way than to move a “new” pressing machine onto our shop floor!  (Well, we’d like to say we planned it that way, but in actuality, it’s just a happy coincidence).

On Thursday, we finished moving a Finebilt press and extruder to GGR from the former Boddie Recording Company pressing plant in Cleveland.

While this is certainly exciting news from the perspective of adding capacity, many of us here are perhaps even more excited about the back-story surrounding this machine.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Thomas and Louise Boddie founded the Boddie Recording Company during the 1950’s.  Mr. Boddie brokered vinyl pressing through a handful of regional pressing plants throughout the 1960’s – mostly regional acts, but not of one specific genre.

In 1973, Mr. and Mrs. Boddie had the opportunity to purchase some of their own pressing equipment.  They moved two Finebilt presses into their eastside Cleveland garage, and built the necessary electrical and water lines to begin pressing wax in-house.  Throughout the 70s and most of the 80s, many  7” and 12” records were pressed in this small building.  There is a fantastic compilation LP (and cassette/CD) set, along with a small series of 7” records released by the Numero Group which chronicle many of the recordings pressed at Boddie.  The plant ceased operation in the mid 1990’s, and sadly, Mr. Boddie passed away in 2006.

Through a stumbled-upon 1960’s Billboard advertisement, and a tip by Cleveland music industry veteran Clay Pasternack, we were able to make contact with Ms. Boddie earlier this year.  The presses were indeed still intact in the eastside Cleveland garage, and the Boddie Recording Company sign still adorns the front lawn of the adjacent home.

 

 

 

 

 

 

 

 

 

 

All of us Gotta Groovies are vinyl consumers and music fans – many even musicians ourselves.  We are proud to be a part of what is not only a world-wide “vinyl resurgence” (as if records ever really went away); but perhaps even more excited to be a small part of the Rock and Roll Hall of Fame City’s resurging music movement.  We were humbled and excited when Ms. Boddie agreed to sell us the equipment, and we look forward to breathing new life into a piece of what in many circles is a legendary local music imprint.  Stay tuned as we rehabilitate this press into our operation…

Louise Boddie, 2011

Customer Highlight — Buffalo Clover

Looking for something new to move you?  Check out the new Buffalo Clover album – Low Down Time, available from Nashville’s Palaver Records.

http://www.youtube.com/watch?v=FEIayWZiKIw

 

Buffalo Clover is a rare plant that grows in the wake of stampeding buffalo. It is also the name of one of Nashville’s most eclectic bands. Fronted by songstress Margo Price, the group draws its inspiration from true roots music. Price and her husband/co-writer, Jeremy Ivey, formed the band after meeting in Nashville in 2008. Their styles range from underdog gypsy punk to Motown boxcar blues, Vaudevillian acid rock to train wreck folk. Their songs are unique yet familiar with a lyrical craft rarely present in popular music.

The musical line up of the group has changed over the years, but the core has remained the same. With the meeting of guitar/banjo player, Matt Gardner in 2009, the band added the talents of another great writer and performer. The three have played with a rotating cast of musicians. Bass player, Jason White has also been an important part of the group since 2008.

Customer Highlight — Trouble Books & Mark McGuire

Check out this great review for our buds at Bark and Hiss Records’ Trouble Books & Mark McGuireSelf Titled LP!

This is a collaborate album recorded/assembled mostly in late 2010 – early 2011 with Mark McGuire.  Released on LP  in conjunction with WAGON in June (first pressing, transparent red vinyl) / July 2011 (second pressing, transparent orange vinyl).

Customer Highlight — Sirs

Thanks to Rob Warmowski for enlisting GGR to press this 4-Song EP by Sirs — Boo Hoo. A disturbed crooner and a loud electric band pile-drive tales of the late capital era into every available earhole. Escape the post-modern refuse pile by burrowing straight down. Don’t dig with your hands; use this slab of 12″ plastic as a tool.

From Rob:

Chris Kreb and I started a weird rock band called Sirs in 2008. Back then it was just the two of us, he on microphone and bullwhip, myself on guitar, bass and computer.  We put out a 7″ called Billy The Kidney, then Chris moved to Germany.  Around that time I started working with Tony Jones and Mike Greenlees, bringing some of the early material over.  Sirs Mk II lasted until Mike was gently reminded of the existence of his three children. During the Mk II phase, we recorded an album’s worth of songs, then threw away half to leave an EP named Boo Hoo.

Grab a copy now!

Customer Highlight — Ressurection

Available now from DeathwishI Am Not:  The Discography.

Within months the sound and ideologies that dominated the hardcore scene from the mid 80’s into early 1990 had literally collapsed as if an entire scene had “grown up” and gave in all at once. Looking back it should have come as no surprise. A scene that was predicated on being an individual had become as pathetically uniform as the world it claimed to disdain. It died because it no longer had a pulse.

In early 1991 a few friends decided that sound, feeling, and emotion was more important than mere memories, and that ideals didn’t need to be confined to the sounds of the past. There were no goals, no strategies, and no need to over think what could be. With that, a band was formed, and Ressurection set out to play as loud and as often as possible.

Musical influences? Black Flag, Bl’ast, Absolution, whatever. A message? At times straight edge, at times political and at times just hurt kids. Simply put the idea was to say what you feel and feel what you say, no limitation. Ressurection was noise and feeling.

Between 1991 and 1994 Ressurection played well over a hundred shows around the US while releasing 2 EP’s, an LP, and a few tracks on various compilations. The beauty of Ressurection? The sole focus on the energy of the live setting. The downside? That same sole focus on the energy of the live setting. When recording the “I Refuse” LP the band was in heavy debt from touring and used all of the recording budget to pay off their debts leaving $200 to record, mix, and master the record, and of course, buy something to eat during this process. The result was not pretty. Over the years this remained a regret shared by the members of the band.

In 2007, the idea of a discography was brought up to the fine people at Deathwish. Over a four year period, the recording reels were dusted off and Kurt Ballou completed a remix at Godcity Studios. Soon after, additional tracks were collected and the result is the 21 track “I Am Not: The Discography”, containing remixes of all three records, the band’s first recorded song, as well as their classic live set from KXLU in its entirety.  Here it is, on three limited-run colors of wax.

 

Customer Highlight — Shitty/Awesome

We are really pumped that Guest Room Records picked us to press the very first Shitty/Awesome full-length album!  This self-titled debut was recorded live in middle of last winter with Chris Harris at Hook Echo Sound. It features artwork from nationally renowned artist, Derek Erdman, as well as 13 tracks of the same outrageous, raucous post-punk this quartet spews out at their live shows. Catch their video for ‘Hang Up’ , and if you are anywhere near Oklahoma this weekend, be sure to hit up the joint Broncho & Shitty Awesome release party August 20 at Guest Room Records in Norman!  (set list below)

Set Times (approximately):
10:30 – Broncho
9:30 – Shitty/Awesome
8:40 – Dikes of Holland
8:00 – Boom Bang
7:20 – Easy Lovers
6:40 – Copperheads
6:00 – Crown Imperial
5:30 – Kerai Pantsu

Customer Highlight — Broncho

Harkening back to punk rock’s glory days of the 70s, Oklahoma outfit BRONCHO captures the aggression, DIY authenticity and youthful exhilaration of a bygone era and then drags it by the hair into the Here and Now, creating a fresh sound that’s unlike anything being played today. With echoes of The Replacements, Iggy and the Stooges and The Ramones, BRONCHO’s exuberant ten song debut Can’t Get Past the Lips is a blisteringly cathartic 20 minute flash of gritty, crunching guitar work supported by an assaultive rhythm section and made whole by songwriter Ryan Lindsey’s aggressive, yelping vocal work.

Released in conjunction with Oklahoma-based record label (and killer record stores) Guest Room Records, Broncho’s latest LP, Can’t Get Past The Lips, will be available on wax on August 20 at the exclusive Guest Room Records Broncho/Shitty Awesome Release Party (and available everywhere after that)!

  

 

A limited number of records were pressed on pink wax

Custom Record Pressing

-Professional mastering and cutting
-High quality plating & pressing
-Unsurpassed quality control
-Custom printed packaging
-Distribution/fulfillment consulting
-Responsive customer service

Big Plant Capacity
Specialty Shop Quality & Service
We want to press your next record.

Contact Information:
(800) 295-0171
sales@gottagrooverecords.com

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