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Graphic (HD035) cover art

Austin-based darkwave metal trio Troller is proud to announce their second LP, Graphic (out 4.8.16 on HOLODECK). The music video for “Not Here,” the first single off of the new LP, premiered on FACT Magazine recently. Despite the underground success of the critically acclaimed 2012 self-titled debut, Graphic manages to eclipse the broad appeal of the first record’s addictively ominous pop anthems. Troller’s focus on layered composition and biting sound design has resulted in a highly developed work that embodies the band’s unique raw form while raising the benchmark on fidelity and experimentation. Graphic arrives perfectly unhinged and hideously sophisticated, reinterpreting familiar elements from their debut LP, and propelling the trio’s provocative sensibilities explicitly further.

Holodeck is excited to announce its official 2016 SXSW showcase, which will take place at Lucky Lounge in Austin on Friday, March 18th. The lineup features heavy-hitting Holodeck artists, including Troller, SSLEEPERHOLD, Dylan Cameron, Samantha Glass, and Bill Converse, as well as New Orleans synth duo ((PRESSURES)). The night will be headlined by Inhalt, a Bay Area-based darkwave band.

 

Record Highlight — Al Nobriga

AL NOBRIGA | My Last Disco Song

A rare look into the discotheque era of Waikiki, Al Nobriga’s “My Last Disco Song” tells of a time when nightclubs lined Kalakaua Avenue and practically every hotel hosted live entertainment. Seven days a week, locals rubbed elbows with visitors in discos like The Point After, Cock’s Roost, Garden Bar, Infinity, Duke Kahanamoku’s, Foxy Lady Too, Valentino’s, Hawaiian Hut—the list goes on.

In the years following the release of Al Nobriga with Island Company’s LP, They’re Playing My Music, a massive shift in Waikiki’s tourism industry began. More and more nightclubs closed their doors or hired duos and disc jockeys to entertain guests. The venues that once lined Kalakaua Avenue eventually gave way to newly constructed luxury shopping centers, a trend that continues into the 21st century.

Nobriga offers a poignant escape from what would soon become decades of ongoing development in Waikiki. Not just another yacht rock tune, “Break Away” carries the listener to a place where one finds enlightenment in the tropical winds and cool ocean blue, far from the concrete jungle of Honolulu.

 

Record Highlight — Suit of Lights

Break Open the Head cover art

Psychic upheaval through art! Break Open the Head is the follow-up to Suit of Lights‘ critically-acclaimed Shine On Forever, which was included in “Top Albums of the Year” lists from Brooklyn’s The Big Takeover to the UK’s Instrumental. Pre-order is up!

 

Record Highlight — Pippo Spera

Lilting melodies, including a shimmering cover of Eduardo Mateo’s ‘Mejor me voy,’ infused with an undercurrent of bossa nova and the drowsy, faded memory of sun-drenched islands. All of this melodic loveliness is made ever-so-groovy in an Afro-Cuban sort of way thanks to a mighty contribution from world famous percussionist Jorge Trasante, Totem drummer Roberto Galletti, and Limonada drummer José Luis Sosa. Pippo Spera had come into the orbit of Uruguayan master Eduardo Mateo back during the days of El Kinto (one of that band’s finest songs is about a visit by Mateo to Pippo’s house). From 1967 to 1970, Pippo concentrated on studying classical guitar at the Conservatorio Nacional of Uruguay, until the military dictatorship closed the school.

So, Pippo started his songwriter career, which culminated in 1975/1976 with the recording of “A Buen Puerto.” As Pippo says, “It was a beautiful experience to me. I had the help of the best musicians in town, they were like brothers. At that time in Uruguay, nobody used to get money to perform in a recording studio; for the musicians it was a pleasure, it was just love of art…” After the release of this LP, Pippo decided to leave a Uruguay oppressed by a brutal dictatorship. He sailed to Brazil in a ship much like the one hovering behind him on the “A Buen Puerto” album. Brazil was indeed “a good port” for Pippo—he became friends with many of the best Brazilian musicians of those years: Milton Nascimento, Geraldo Azevedo, Renato Rocha, and Alceu Valença, and ended up writing for and playing on Nascimento’s “Clube da Esquina 2” album.

 

Record Highlight — Lucinda Williams

We’ve all heard about the iconic vibe of Route 66, the neon lights on Broadway and the ocean air of the Pacific Coast Highway. But there are untold stories emanating from countless blue highways across the land – like Interstate 20, which cuts a 1500-mile swath from South Carolina to Texas, and cuts deep into the spirit of those who’ve spent their lives traversing it. Lucinda Williams is one of those people, and with the expansive, enveloping The Ghosts of Highway 20, she brings those stories to life – and gives listeners a remarkably vivid look at how the highway has been a literal and figurative backdrop throughout her entire life. The intensely involving 14-song collection may be the most deeply felt, deeply affecting work of Lucinda Williams’ illustrious 35-plus-year career, a career that has been established on a foundation of remarkably personal songs.  Pre-order the vinyl now.

 

Record Highlight — Rock Eupora

Clayton Waller, the Mississippi music artist known as Rock Eupora, started taking piano lessons at the age of 5. He quickly discovered his love for songwriting and performing and took advantage of nearly every opportunity to play music. In college, he helped form a rock-n-roll power trio called Wolf Cove. Wolf Cove started dissolving as graduation approached, and Waller began writing solo. These songs eventually became Rock Eupora and took form as the first album, Blanks.

While in grad school in Nashville, TN, Waller wrote and recorded Rock Eupora’s second full-length album in his apartment-converted basement. In Soon the Sun Will Come (available in February 2016), Waller uses galactic hooks and melodies and a unique blend of gritty rock and shimmering pop to address the power of time, the reality of love, and the importance of faith as he experiences a transitional stage of life. Waller and the Rock Eupora band currently reside in Nashville and frequently tour across the Southeast.

Record Highlight — Aubrie Sellers

“I prefer to create friction,” post-Country chanteuse Aubrie Sellers offers. “Because if you’re not pushing buttons, you’re just making something pleasant, it’s probably been done before… and it’s not making anyone feel anything.”

In this world of pretty little girls who are seen and not heard and reality stars who are famous for nothing, the 24 year old songwriter ain’t buying in. Laughing, she continues, “I’d rather my music be polarizing than everyone like it, because they rarely do. I think passion is a lot deeper than that. I want to go deeper, and be honest that life isn’t just some party and going out. I mean, don’t people feel anything?”

Not that New City Blues is some kind of morbid, maudlin affair. From the cutlery in the blender indictment of surface beauty “Paper Doll” to the lone star drive of “Just To Be With You” and the tumbledown melody of “Sit Here And Cry,” this is a high energy box cutter of emotion: 14 songs marked by the bite and punch of smart girls who know there’s more to life than a cold beer and cut-Offs.

Record Highlight — Matthew Logan Vasquez

2015 (The Year of The Ram) has been a year of major change for Matthew Logan Vasquez. He moved with his wife, Marthe, from Brooklyn to Austin, he saw the birth of his first child Thor, and after a decade since founding his critically acclaimed band, Delta Spirit, he’s finally decided to go it alone FOR THE FIRST TIME, with his solo debut, The Austin EP, to be released November, 2015 , and a full length LP, Solicitor Returns, to shortly follow in early 2016 (it just shipped out from GGR this week).

Matt went solo for simple reasons– to return to the style of rock he loves. And when he went solo he REALLY went solo. He plays every instrument on the record, except for two drum tracks and one guitar track. Delta Spirit undoubtedly will be back but he wanted to make a collection of music without the influence of his beloved brethren (it’s only natural for a frontman to feel the need to let loose from time to time). You will hear his new material and you will hear Iggy Pop. Neil Young. Kurt Cobain. Gram Parsons. But ultimately, you’re hearing Matthew Logan Vasquez.

 

Record Highlight — Danen Kane

A tender, finger-picked acoustic guitar chimes seven notes, descending a scale like a waterfall. Six notes follow, down again but then back up to a hopeful and bright rest. Then, Danen Kane’s expressive voice declares the omnipresence of the Author of music: “He’s in the breath inside you / He’s in the falling rain / He’s in the light that shines on / every morning day.” A subtle, atmospheric electric guitar undergirds the melody with a double-time pulse, lending dimension and gradually moving the listener from reflection to response.

So begins “The Song that Set Us Free”, the standout opening track from Kane’s latest album Flesh and Soul. For the uninitiated, it’s a fine introduction to Danen Kane’s songcraft. His music leads the listener on the sort of journey that makes you look back in wonder and say,how did I get here? Two minutes into “The Song,” and without realizing that Kane has gradually increased the tempo by one beat per minute every 30 seconds, you’ve collected potential energy and you’re eager for something to happen. Then, at 2:15, Kane breaks all convention and lets the song explode. Cymbals crash, lyrical laughter bursts, and celebration ensues.

Danen Kane has never been afraid to break convention in his music, but he has a remarkable ability to maintain accessibility and consistency of voice while creating eclectic and sometimes surprising tunes. Part of that ability comes from his unconventional path to music ministry. Kane’s first love was not piano or guitar, it was basketball. In fact, he didn’t do anything musical until he was 20 years old, when he felt a strong call from God to lay down the hours invested in his sport and focus on pursuing his faith.

 

Record Highlight — John Moreland

 

Some days, being John Moreland has to hurt. As others bury experiences and stifle regrets, Moreland pokes old wounds until you’re sure they’ve got to be bleeding again. It’s painful. But in Moreland’s care, it’s also breathtakingly beautiful. With the release of his highly anticipated third solo album High on Tulsa Heat (available now via Thirty Tigers), he offers another round of the lyrics-first, gorgeously plaintive songs that have earned him devoted listeners across the country.

 

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