Gotta Groove Records
Posts Tagged ‘vinyl pressing’
VR Sex — Human Traffic Jam
DAIS Records releases VR SEX’s debut album “Human Traffic Jam” on digital, vinyl LP (packaged in a thick matte stock jacket with a printed inner eurosleeve with lyrics and download card in various colored vinyl variants), as well as compact disc, housed in a digipack with lyric insert and features the bonus track “Corridor (Epilogue)”. Cover art by Brooklyn based artist Adam Helms. Package design by Nathaniel Young.
Technology was meant to be humanity’s tool to combat famine, disease, confusion, and to facilitate life, culture, and innovation. Instead, we’re mired in a digital labyrinth that few care to navigate or even solve. Perhaps it’s not a ruse and the matrices coded by keyboard maestros are a path to liberation, but without querying the constructs we cannot ruminate on their affectations on humanity.
VR SEX are audio/visual provocateurs who transpose the identifiers of death rock, synth punk, post-punk, ambient, and ethereal soundscapes into an audit on technology and its imprint on our collective psyche. Comprised of visionary mercenaries Noel Skum (Andrew Clinco of Drab Majesty), Z. Oro (Aaron Montaigne of Antioch Arrow/Heroin/DBC) on vocals and drums, and Mico Frost (Brian Tarney of Guardian) on synths and electric bass.
Their debut tome, Human Traffic Jam, focuses on lyrical themes that probe the possibilities of loss of autonomy through social media, the decline of human interaction, and celebrity favoritism. Skum believes in the stabilization of society and preservation of our planet by reducing its amount of procreators.
Through PSRS or Procreation Simulation Reproduction Stimulation, humans can act on their hedonistic desires and not face the responsibilities and consequences that come with being an ill-prepared guardian. The future of our offspring will exist in virtual realms and population growth in turn will be stabilized. VR SEX is the cure to most societal ills.
Thematically condensed into an eight song album, Human Traffic Jam was written and demoed by Skum in a flat in Athens, Greece during the winter of 2017. During a rigorous week long session at Figure 8 studios with experimental and dimensional production extraordinaire Ben Greenberg (Uniform/The Men), Skum solely committed all the instrumentation present on Human Traffic Jam.
Rather than being emblematic of influences, each song on the LP infuses a dire tension that cuts shimmer with fetid frequencies, never establishing an aural hierarchy or urgency. Instead, we’re lead into punchy capsules of “dour pop”; the balance of saccharine and sour so emblematic of the VR SEX hive mind.
Kelly Finnigan — The Tales People Tell
Kelly Finnigan, the lead singer of Bay Area-based indie-soul auteurs Monophonics, has announced his debut solo album ‘The Tales People Tell,’ out April 26 on Colemine Records. Over the course of the album’s 10 new, original songs, Kelly channels a multitude of influences that reflect a lifetime immersed in the music and culture of soul, R&B, and hiphop – it’s the story of an outsider that followed an unorthodox route, always guided by his own creative north star.
Kelly guided the songs on ‘The Tales People Tell’ from their conception all the way to the record pressing plant over the course of two years. He wrote and produced each track on the record and plays 10 instruments throughout, while enlisting the help of friends and legends like drummer James Gadson (Bill Withers, Marvin Gaye, Beck), members of Monophonics, and Kelly’s own father, prominent sideman/keyboardist Mike Finnigan (Jimi Hendrix, Joe Cocker, Etta James). The result is a timeless collection underscored by a sense of community, a family affair of a record that’s at once raw and gritty, tender and emotive, lush and symphonic.
Son Volt — Union
Son Volt’s ninth studio album, Union (Transmit Sound/Thirty Tigers), will be released worldwide on March 29th.
Jay Farrar channels folk music’s enduring legacy of the troubadour on Union. “There are so many forces driving our country apart,” observes Farrar. “What can we do to bring our society back together?” Initially intended to be an entirely political statement, Union morphed into a combination of politically inspired material balanced by a cluster of new songs reflecting the power of love, time and music that sustains us. “While Rome Burns” emphasizes finding unity during times of turmoil while an album highlight, “Devil May Care,” offers the distraction we need, an effusive tribute to the fun of playing and creating music.
A unique aspect of Union is that eight of the thirteen songs were recorded at places associated with two figures in American history whom Farrar considers important – labor and community organizer Mary Harris “Mother Jones” and iconic folk hero Woody Guthrie. Three songs were tracked at the Mother Jones Museum in Mount Olive, IL and four others were recorded at the Woody Guthrie Center in Tulsa, Oklahoma. The legacy of Woody Guthrie helped to inform Union’s closing song “The Symbol” which was inspired by Guthrie’s classic “Deportee” (“Plane Wreck at Los Gatos”).
Union features long time band members Mark Spencer (piano, organ, acoustic slide, lap steel, backing vocals) Andrew DuPlantis (bass, backing vocals), returning member Chris Frame (guitar), as well as newest member Mark Patterson on drums and percussion.
Breathe Blow Burn
The debut by Breathe Blow Burn is a mind-blowing, visceral listen and destined to put the young band and its fledgling label on the musical map. This is an album as cinematic as they come—cowboy sci-fi as told by punk poets. A spooky metaphysical caper. Super Invincible’s first pressing of Breathe Blow Burn is a limited run by design; we encourage you to get yours while it remains in stock. Available from Super Invincible Records.
