New vinyl pressing! The Mutants – Curse Of The Easily Amused.
It’s hard to let go of a good thing. More than four decades after the Mutants first appeared on the San Francisco underground music scene, four of the original members are still playing shows together under that name in 2022. After all, mutants are known to mutate, and that’s what this colorful, energetic musical collective has been doing off and on since 1977.
Perhaps even more surprisingly, the sessions for their lone album, 1982’s Fun Terminal, continue to bring forth lost nuggets. In punk and new wave lore, Fun Terminal is considered a troubled project. Prior to the album’s appearance, the Mutants had released only one 7-inch single — 1980s’ The Mutants EP — and the band also had songs featured on two local compilations. Both the EP and one of the compilations were issued by 415 Records, the legendary Bay Area indie that made the jump from the new wave trenches to the majors when they signed a deal with Columbia Records in 1981. Many scenesters felt that the Mutants should have begun album sessions for 415 immediately after the EP, but that didn’t happen.
New vinyl pressing! Welcome to the world’s first (and only) post-punk-industrial-trance-psychedelic-surf album! The fact that it took so many adjectives to describe Tragic Figures lets you know just how unique of an album it is. Sure, there are echoes of other artists, like krautrock legends Can, post-punkers Public Image Limited (Savage Republic opened for PiL on their 1982 West Coast dates), avant-garde guitar players like Glenn Branca and Rhys Chatham, scrap metal industrialists Einstürzende Neubauten, and Bay Area sludgecore nihilists Flipper—but really, this unlikely product of (mostly) UCLA undergrads sounds like no other record before or since.
For its 40th anniversary edition, Real Gone Music worked with Bruce Licher to preserve and expand on the magical, talismanic quality of the initial release. The original album has been remastered from the original tapes by Mike Milchner at Sonic Vision, while both the CD and LP editions both boast an extra disc of largely unreleased rehearsal recordings taped in the bowels of UCLA parking garages, where the band used to practice to take advantage of the extended reverb afforded by all the concrete surfaces (imagine being an unwitting undergrad happening upon this unearthly din coming out of nowhere)! Richie Unterberger’s liner notes feature interviews with band members Licher, Philip Drucker, and Jeff Long, and the LP comes with the original cover graphics expanded into a gatefold jacket pressed in heavyweight “chipboard” paper stock. Clear your calendar and set aside a couple of hours to listen to Tragic Figures…you won’t end up where you started.
New Vinyl Pressing: Sam Hall’s new album as Ghost Orchard, Rainbow Music, is a collage of patience and meditation. It’s filled with nuances as quietly imperceptible as the seasons, or the profound movement of time, where one day looking back you realize your whole spirit has shifted. Where 2019’s critically revered Bunny was a love letter to a romantic relationship, Rainbow Music documents the culmination of Hall’s first personal experience with loss in several forms. At the end of 2020, his longterm childhood pet passed away, and with it the last continuing threads of familiarity between being a kid and adulthood. Still based in the Grand Rapids, Michigan town he’d grown up in, the static ease of familiar living seemed to be coming apart at the seams, as friends moved on to bigger cities, relationships shapeshifted and in a short period of time, another kitten he’d adopted passed away prematurely, leaving Hall to question the trajectory in which he himself was headed.
Like “songs in the key of life,” the title ‘rainbow music’ refers to the myriad of colors and qualities within Hall that are refracted throughout. It’s a symbolization of hope and the aftermath, the flickering light at the end of the tunnel (or “when a rainbow shows up after a big storm”). “Wish I could have fun anymore,” Hall ruminates on “dancing”, as well as confessing he “wish he made more upbeat bangers.” But reality packs more of a punch, and this collection of songs sees him finally be at peace with the current state of affairs. Relatable to anyone who has contemplated what it means to settle down, or even just catch your breath in an era where anguish is commonplace, the release of ‘rainbow music’ is a happy ending in its own right, a marker of survival that remains close to the bone.
Produced by Wilco’s Jeff Tweedy, Alpenglow is the Minnesota-based sextet’s tenth album. The album, named after the optical phenomenon that takes places when the sun casts a reddish glow across the mountains at dawn and dusk, opens with the wistful beauty of “It’s So Hard To Hold On”. The narrator contemplates the passing of time and how imperative it is to savor it while you have it.
10 of the 11 tracks on Alpenglow were written by lead singer Dave Simonett, whose introspective and literate songwriting is the foundation of the unwavering connection the group’s music has with its fervent and ever-growing audience. “On The Highway” expresses a longing to wander but struggles with the value in maintaining roots. “Central Hillside Blues” addresses nostalgia and loss while “Quitting Is Rough” deals with having inner strength to not lose sight of what is real, with its beautiful and inspiring refrain “climb out, climb out, climb out” The Tweedy-penned “A Lifetime To Find” features a simple back-and-forth dialogue with Death, which ends as one might expect.
Coming soon in October from Cincinnati-based Happy Families — Sorry Eric is propelled by blue collar midwestern modernity, Eric turns it all to gold. Beautiful NZ influenced indie rock that’s too lame to be cool.
Penrose Records is proud to introduce the newest members of the family, the Inland Empireʼs own Vicky Tafoya and the Big Beat. Born in Santa Ana and currently residing in Colton, Vicky started singing a capella doo wop in the late 80s for the So. Cal. Doo Wop Society and went on to co-found the Big Beat in 2001. Their debut single on Penrose is a moody minor chord ballad featuring a reverb laden guitar solo and beautiful girl group harmonies behind Vickyʼs effortless yet haunting vocal about two people longing to be together… Forever.
Available November 20th. Pre-order via the US Daptone Shop (shipping worldwide) Pre-order via the UK-based shop (shipping within Europe, only)
Album #5 in just as many years! But this one is quite unlike the others. Made in the midst of a pandemic with an onslaught of in-your-face racism, police brutality, death, homelessness, poverty, inequality, injustice and life as we know it changing forever all hitting with brute force at the same time, A Funky Bad Time was made under stress in a way the prior four albums weren’t. But just because times are bad, doesn’t mean they can’t be funky. In fact, the badder, the funkier. So funky you gotta spell BADD with two Ds! 12 slices of cold blooded instrumental funk (+ 1 Bandcamp-only digital bonus track) from Jay Mumford (aka J-Zone) and Pablo Martin – with guest musicians Horn Diapersen (fka Ike “Time Wolf” Parker who played alongside Jay in Ben Pirani’s band) on bass and percussionist Bruce Martin (who joins the Du-Rites live and plays alongside Pablo in Tom Tom Club).
Soul Step Records are so fired up to share that they are welcoming back to Soul Step for a second release is Cincinnati’s own COASTAL CLUB. After a strong demand for the 45 single release of “Shake You / Make its By” they get to share on vinyl the newest release from Coastal Club, “ ~ i get nervous sometimes ~”
~ i get nervous sometimes ~ is the best sunny indie pop that Ohio could produce! This album is for fans of Hippo Campus, COIN, and Bombay Cycle Club. It’s hard to imagine these sun-soaked indie pop jams are from the Midwest! Coastal Club will continue to hit your ears with hook after hook after hook. This is an album of delicious ear-worms that will stay in your head all day long. Put this album on your turntable and watch your life get bright and sunny real quick.
The Queen City quartet of indie surf rockers was formed in 2017 by a group of friends looking to blend indie rock and pop with the surf music of the 60’s and 70’s. While based in landlocked Ohio, there is a longing for the coast found in their romantic, beachy melodies. Coastal Club has tirelessly played and continued to hone in on their unique sound. With the release of “ ~ i get nervous sometimes ~” we are presented with SIX brand new Coastal Club tracks and the vinyl specifically carries the tracks from their previous self-titled EP. Just as a special treat for the vinyl fans out there.
Soul Step Records will be releasing “~ i get nervous sometimes ~” by Coastal Club to Soul Step Record Subscribers on Saturday, September 5th. The general public sale will begin on Monday, September 7th.
There will be a limited to 100 Lipstick Red vinyl variant in addition to the standard black vinyl. Soul Step Records highly encourages fans to sign up to be a Soul Step Subscriber for free, as many of our limited edition vinyl sell out very quickly.