A newly-formed outfit, DETHBEDS unites a host of influence from a wide array of musical backgrounds, resulting in a volatile concoction of angular metallic, punk-fueled hardcore. Their single-sided EP is available for preorder now.
A newly-formed outfit, DETHBEDS unites a host of influence from a wide array of musical backgrounds, resulting in a volatile concoction of angular metallic, punk-fueled hardcore. Their single-sided EP is available for preorder now.
Blake Rainey has been recognized by The Atlanta Journal Constitution, music magazines Flagpole and Stomp & Stammer, and Creative Loafing as one of Georgia’s finest songwriters. His solo material consists of heart-on-the-sleeve folk, country and scrappy-smart rock in the vein of Tom Petty, Bruce Springsteen and Paul Westerberg.
The latest album by Blake Rainey and his Demons — Helicopter Rose — is available for pre-order now through his Southern Lovers Recording Co. imprint.
Bazile Mills is an Indie/Alt band from Omaha, NE, formed in May of 2014. The name is a tribute to a time almost forgotten and the ghost town. The town of Bazile Mills was founded in 1882 after the first woolen mill in Nebraska was erected just north of town. Today there are only about 30 residents as the townspeopl
The band’s new EP – Where We Are – is available soon from Widmest Productions. Stay tuned!
With over 45 million plays on Pandora, troubadour and award-winning songwriter, Forest Sun, enlivens audiences around the globe with his wealth of songs and stories, all sung and told in a laid-back California style. Sun’s soulful music draws on a deep well of Americana. His new album, Walk Through Walls, is available for pre-order now.
King Of The Tramps is an original roots-rock group, based in Auburn, IA, whose sound calls upon influences from modern roots rock, rhythm and blues, rock and southern, country rock. Their sound has been described as “Whiskey Gospel”. The band has released three albums of original music, Good People in 2011, Wicked Mountain in 2013, and Joyful Noise in 2014.
The King Of The Tramps live show is a foot stompin’, hand clappin’ rock and roll gospel party, with plenty of crowd participation. The band is comprised of Todd Partridge on Guitar and vocals, Justin Snyder on Guitar and Mandolin, Adam Audlehelm on Keys, Ryan Aum on Drums and Ryan McAlister on Bass.
With Cumplir con el Diablo, the 4th album from the group, the tramps show that their “Whiskey Gospel” sound has more energy than ever, and their stories ring as true and hard as life on the road. The record features 9 songs and one bonus track. Cumplir con el Diablo is about the general themes of being mired in the overwhelming personal quagmires and external hypocrisies’ that pull us all down on a daily basis. Translated, the album title means “Meet the Devil”, it is intended in the universal sense, as in “The devil is in the details”, or “Having a devil of a time”.
Some things in life are just meant to be. The first time Chris Hazelton experienced a real Hammond B-3 organ, he knew instantly that it was the instrument he was destined to play. At the request of his college professor, the then-underage aspiring musician snuck into a dark Kansas City jazz club called Bobby’s Hangout to hear the man behind the console, jazz organ master Everette DeVan. After several weeks of coaxing, Mr. DeVan agreed to take Chris on a student, showing him the ins and outs of the complex machine. With a background in string bass and piano, Chris’ transfer to organ was a natural one.
Soul Jazz Fridays was recorded live at the Green Lady Lounge in Kansas City, MO on October 26th, 2015. You can preorder it now.
Eyck composed these six Fantasias specifically for the 12” vinyl LP format, a practice reminiscent of early-60s Nonesuch releases. All performances were recorded in full takes with no editing. American Contemporary Music Ensemble (ACME) tracked Eyck’s scores first, and then Eyck overdubbed her deft, fluid, single-take improvisations—thus the fitting title Fantasias. The result is an organic virtuosity that leads the listener through a wide range of sonic environments across the six pieces.
Eyck’s striking theremin performances on Fantasias showcase her dead-aim intonation, her command of microtonality, her fluid melodicism, and—perhaps most importantly—her utter lack of self-consciousness as an improvisor. This latter quality is no accident, as Eyck has practiced improvisation for years, and has even studied techniques typically aimed at athletes for entering flow-states and shutting down critical inner dialogue.
Pre-order now from Butterscotch Records.
Pop guitarist Sadler Vaden‘s Self Titled (and self-released) album is a follow up to his 2012 album Radio Road, on which he played all instruments. Following stints with Jason Isbell’s 400 Unit and Drivin n Cryin, this new album employs producer Paul Ebersold and guitarist Audley Freed.
Azucar Records is a boutique, vinyl-only label dedicated to releasing limited edition pressings of classic albums from the past 30 years, never before issued on vinyl. Azucar Records began as a simple question: “Why isn’t that available on vinyl?”
Ken Stringfellow’s (The Posies, Big Star, R.E.M.) classic 2001 solo album Touched is now available on limited edition orange cream vinyl. Just 500 copies of Stringfellow’s stirring masterpiece have been pressed. From the somber opening notes of the first track, Down Like Me, to the album’s hopeful closer, Here’s to the Future, each song resonates with an emotional timelessness that only the greatest songwriters can deliver. Stringfellow’s compositions on Touched burst with warmth and soul, making the LP one of the truly great albums of the past 20 years.
The Black Swamp Arts festival is a free three-day art and music festival in historic downtown Bowling Green, Ohio. Over 60,000 people attend to enjoy the art, music, and atmosphere. Downtown Main Street is lined with over 150 juried artist exhibits from across the country.
The first Black Swamp Arts Festival was held in Downtown Bowling Green in the Fall of 1993. It was organized by a group of Downtown Business Owners and members of the community who had an interest in spotlighting the arts in Bowling Green. Each year, the Festival has grown: increased number of members who plan and organize Festival details, increased number of fine artists who display and sell their artwork, increased number of performing artists who entertain with all genres of music and stage performances, and an increased number of participants, both local and from out-of-town, who come to enjoy and support the arts.
Check out this year’s acts here.