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Phil Palombi — Detroit Lean

Grammy award winning bassist Phil Palombi is “one of the most sought after bass players in New York City”, according to Steely Dan tenor saxophonist and renowned jazz musician Walt Weiskopf. His performance and recording credits include such players as, Toshiko Akiyoshi, Michael Brecker, Randy Brecker, George Coleman, Maynard Ferguson, Billy Hart, Louis Hayes, Vincent Herring, Etta Jones, Billy Kilson, Joe Lovano, Dave Liebman, Harold Mabern, Steve Smith, Curtis Stigers, Lew Tabackin, Mark Turner, Chucho Valdes, and The Village Vanguard Orchestra to name a few. Upon moving to New York City in 1997, he immediately began working full time performing at many of the city’s venues.

 

The Few — Fragments of a Luxury Vessel

All music improvised by Macie Stewart, Charlie Kirchen and Steve Marquette. Side B, Track 2 contains melodic material from Albert Ayler’s “Truth Is Marching In”.  All tracks recorded, mixed and mastered by Dave Zuchowski.  Side A, track 1 recorded at a concert held at Elastic Arts in Chicago, IL on August 13th, 2015.  Side A, track 2 recorded at a concert held at the Comfort Station in Chicago, IL on October 1st, 2015.  Side B, tracks 1 & 2 recorded at a concert held at Constellation in Chicago, IL on April 9th, 2016.  Limited edition of 500 — Buy now!

 

Anti-Flag — Live Vol. 1

Recorded over the course of 3 special evenings at the Troubadour in Los Angeles, CA, “Live Vol. 1” spans the entire Anti-Flag catalog and catapults you from your headphones straight into the circle pit. Known for their raucous live show, Anti-Flag deliver in kind with this first volume of live tracks.

Vinyl purchase includes a photo insert as well as a digital download via email.

 

Holly Bowling — Better Left Unsung

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Holly Bowling’s Better Left Unsung is a collection of classical solo piano arrangements of the music of The Grateful Dead. A classically trained pianist, Bowling possesses one distinction that sets her apart from similarly studied musicians—a devotion to improvisational rock music and the vision to painstakingly transcribe “jam” masterworks note-for-note, arranging them for solo piano and improvising upon what was already written. Last year, Bowling released Distillation Of A Dream: The Music Of Phish Reimagined For Solo Piano to wide acclaim. So it only seems fitting that she turns her attention to the music of The Grateful Dead for her second album. Containing over two hours worth of music, Better Left Unsung is available as a triple-LP set.

“Franklin’s Tower,” “The Other One” and “China Doll,” are among the songs Bowling recorded for the album, in addition to an entire solo piano arrangement of the “Terrapin Station” suite. Bowling’s favorite version of “Eyes Of The World” from Louisville’s Freedom Hall in 1974 receives a complete transcription, as well.

Phish song, “Tweezer,” is what first inspired Bowling to begin transcribing and arranging the music of her favorite artists for solo piano. After witnessing a moving performance of the song at Lake Tahoe on July 31, 2013, Bowling sat down and transcribed the 37-minute performance note-for-note. When performing these pieces, Bowling uses her classical piano technique to make each song her own work of art.

 

Brutal Juice — Welcome to the Panopticon

Brutal Juice — Their most sprawling and ambitious effort to date: Old-school molten metal, Gothic Dream Interpretation, Full-on Thrash, and a shit-ton of face melting guitar wizardry accompany you on this journey through Profane and Paranoid Alternate Histories, Psychedelic Nightmares, Oppressive Futuroid Dystopias and Finally Revolution, Scorched Earth and Catharsis.

 

New Record Pressing Machine!

Our new press was delivered to us today….. It’s a beauty! Built in the USA by Record Pressing Machines, LLC. Our mechanic Paul is working his magic getting it set up right now.  We want to press your next record!

 

UJ3RK5 — Live From The Commodore Ballroom

Featuring Kitty Byrne, Rodney Graham, Jeff Wall, and William Gibson, UJ3RK5 Live From The Commodore Ballroom is coming very soon from Primary Information.  Stay tuned!

 

Black Friday!

Be sure to seek out these indie releases on Black Friday!  Thanks to Good Records, Shake-It Records, MVD Audio, Lakeshore Records, Colemine Records, and Daptone Records for letting GGR press these records.  Happy Thanksgiving from the Gotta Groovies!

Alice Cooper – Live From The Astroturf 7″

Jeremy Pinnell — OH/KY Live

Wussy — Funeral Dress II

Stone Roses — Sally Cinnamon

Bill Callahan — Apocalypse: A Bill Callahan Tour Film

Underworld Soundtrack

Betts, Hall, Leavell, Trucks — Live At The Coffee Pot 1983

Ikebe Shakedown — Hard Steppin’

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The Dip — Won’t Be Coming Back 7″ 

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Frightnrs — Dispute/Version 7″

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Olympians — Sirens Of Jupiter / Apollo’s Mood 7″

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David First — Same Animal, Different Cages Vol. 2: Solomonos for Analog Synthesizer LP

Image of *Subscription: DAVID FIRST "Same Animal Different Cages" Vols. 1-4

About Same Animal, Different Cages:  “Sometime in the late winter of 2014 I began experiencing a certain nagging artistic malaise. I felt like I was spending too much energy on live performances and not being as creatively vital as I’d like. With that in mind, I resolved to cut some cords in the New Year and get back to the aspects of the process I’d been missing – learning new things and creating and recording new work. I also decided to challenge myself, without running roughshod, to not get bogged down in the ‘revising, editing and perfecting’ of things – always a potential pitfall in this digital age – and make ‘honest’, unmediated tracks that would directly reflect what I’d discover. Choosing an instrument a month, through a regimen of daily practice, I would develop and record material that would result in an album by month’s end.” – David First

The first four volumes in the series will include explorations on acoustic guitar, analog modular synthesizer, harmonica, and sitar.  Available as a subscription from Fabrica Records.

 

The Leland Bluebird Sessions

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The Leland Bluebird Recording Sessions is a project instigated and brought about by Waterloo Sunset Records and inspired by the work of the Fox Valley Blues Society, Blues On The Fox Festival Committee and the Fox Valley Music Foundation. The project is a recording tribute to the records that were produced on the top floor of the Leland Hotel in Aurora, Illinois during a period in time beginning on May 4, 1937 and ending on December 19,1938.

The cream of the crop in the Chicago and St. Louis blues scenes were assembled on a variety of dates during that period to record tracks for the Bluebird Label. The sessions were the brainchild of a Chicago businessman and freelance A&R person named Lester Melrose. Tampa Red, Washboard Sam, Big Bill Broonzy, Big Joe Williams, Walter Davis, Henry Townsend, Robert Lee McCoy, Merline Johnson, Sweet Peas Spivey, and a very young, John Lee Curtis ‘Sonny Boy’ Williamson, amongst others, participated in many of the sessions.

The recordings are considered to be historic and very influential in laying down a foundation for rock and roll, big band music and post-war blues. The sessions helped to establish the harmonica as a lead instrument in blues ensembles while also lending credence to the notion that recordings sessions could be quick and efficient in using ‘house bands’ comprised of lead and session musicians accompanying each other on each other’s songs.

The rediscovery of these historic recordings lead to the formation of the Fox Valley Blues Society and the founding of the Blues On The Fox Festival both based in Aurora, Illinois. Several of the artists that participated in the original sessions are now members of the Blues Foundation’s Blues Hall of Fame and the song, ‘Good Morning, School Girl’, written and recorded by Sonny Boy Williamson, has also been inducted into the Blues Hall of Fame.

The purpose of this tribute project is to pay homage to the artists that participated in those original recording sessions, and to help to ensure that their memory and those songs remain prominently known for ages to come.

 

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