
Colter Wall’s sophomore full-length album streets October 12, 2018. You can pre-order a special edition version now, which includes a deluxe jacket, and vintage water slide Colter Wall travel decal.

Colter Wall’s sophomore full-length album streets October 12, 2018. You can pre-order a special edition version now, which includes a deluxe jacket, and vintage water slide Colter Wall travel decal.

Over the course of the last two decades, Detroit-based duo ADULT.(Nicola Kuperus and Adam Lee Miller) have released six albums and nineteen EPs and singles across some of our favorite labels: Mute, Ghostly International, Thrill Jockey, Clone Records, Third Man Records, and their own label, the revered Ersatz Audio. November 1998 marked their first release: the five-song 12″ “Dispassionate Furniture”. This September, twenty years later, Dais Records is proud to announce ADULT.’s seventh full length album: THIS BEHAVIOR.

Pentangle Was One of the Most Distinctive and Musically Accomplished Groups to Emerge from the ‘60s. A Blend of Jazz, British Folk, Rock, Blues, and Even Classical. Featured the Unbeatable Twin Guitar Attack of Bert Jansch and John Renbourn; also the Sublime Rhythm Section of Bassist Danny Thompson and Percussionist Terry Cox; capped Off by the Piercingly Clear Vocals of Jacqui McShee. Sweet Child Was Their Second Album, Released in 1968. Real Gone Music is releasing this 50th anniversary version on 9/7/18 — pre-order now!

The White Blinds
Michael Duffy – Drums
Carey Frank – Hammond B3
Matt Hornbeck – Guitar
An F-Spot Production — All songs written and performed by The White Blinds (except “Blue Juice” written by Jimmy McGriff). Recorded by: Josh Wiener at Rich Uncle Records, Venice CA. Available from F-Spot Records.

Inspired by an old Petula Clark 45 rpm record they found in Portugal which made its way into Savoy’s vintage jukebox, Kelli and Joel’s “Toi Tu Joues à L’amour” is their first release as a duet despite them having performed together onstage and in the studio for over 10 years. This single captures the duet’s versatility perfectly, pairing a 1960’s French pop hit with a set of modern Cajun fiddle tunes from composers Michael Doucet and Al Berard, and a Cajun French love song with a set of ancient fiddle breakdowns from the legendary Cajun fiddler Dennis McGee. Both adept fiddlers and guitarists, singing songs in Cajun French and English, these two old souls effortlessly deliver good music, pure and simple.

Them Are Us Too was formed in the Bay Area by friends Kennedy Ashlyn and Cash Askew in 2012 after meeting at school. Fast friends with an appreciation for the same music and art, they recorded a demo and began performing intimate and memorable gigs on the west coast. They quickly gained a cult following as word spread about their youthful, innocent, and fresh take on the revered 80s dream pop and shoegaze sound, and Kennedy Ashlyn’s voice was immediately compared to Elizabeth Fraser, Kate Bush, and Harriet Wheeler – while Cash Askew’s washes of intricate guitar felt akin to Robin Guthrie, Ronny Moorings, or Kevin Shields. Their music felt familiar but new, nostalgic, and heartbreaking, with songs delivered simply and earnestly.