Gotta Groove Records

Gotta Groove Records

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The Figgs — The Man Who Fights Himself

The Story Behind The Release (in the words of Mike Gent, April 2017).

In the spring of 2008, we rolled into Los Angeles armed with a batch of brand new, unrehearsed songs and keyboardist Scott Janovitz. On top of the studio time we had booked, I had the terrible idea of adding shows to our schedule. We would record all day, take a dinner break, go to whatever show was booked, stay up all night catching up with west coast friends, then do the same thing the next day, then the next, and the next….Not the best situation for getting usable takes.

Sessions continued for a bit in Philly at G Love’s studio and then a lot of time passed before we continued work on the album. I’ve always felt that the band really needed a producer for this record. We had successfully produced Palais & Follow Jean on our own, but by the time we hit this record, we had run out of steam in the production dept.

The next set of sessions in 2009 we did at Scott Riebling’s studio. Scott recorded the first Gentlemen record and I’ve always enjoyed working with him. Just what the doctor ordered… Those sessions were so easy and fun, it inspired us to book a final set of sessions with Seth Powell at the original location of his Soundcheck Republic studio to finish the record.

The Man Who Fights Himself was finally released in spring of 2010 (Two years after we started it in LA) with very little fanfare.

The idea to remix some of the record has always been in the back of my mind. A few people over the years have asked when this would be released on vinyl. It made sense to me that when we did get around to putting it out on vinyl, that I would take the masters, remix most of the record, and have it remastered by Mike Quinn specifically for vinyl. Well, I finally got around to this project last Oct-Dec with the help of Ducky Carlisle.

Preorder is up!

 

Matthew Logan Vasquez — Does What He Wants

Does What He Wants (LP)

Matthew Logan Vasquez is feeling optimistic.

That’s not necessarily apparent the first time you spin his new full-length solo album. Each track on Matthew Logan Does What He Wants feels urgent and intense. Impatient landlords, financial woes and other frustrations fan the agitation embedded in the opening track, “Same.” Isolation darkens the brooding images of “From Behind The Glass.” Death takes a bow on “The Fighter.” Vasquez can’t help but juxtapose the celebration of “Fatherhood” with a lament that “we ain’t got the money to pay the hospital.”

The music enhances this impression. As fans of his work with Delta Spirit and Middle Brother know well, Vasquez knows how to fuse passion and poetry in his writing and then ignite this volatile mix with extraordinarily expressive singing. In this sense he stands as a peer and a worthy successor to those who influenced him as an up-and-coming artist — Neil Young, Kurt Cobain, Pink Floyd, Lou Reed and others often mentioned, none of them known for their upbeat, sunny lyrics.

The Does What He Wants pre-order is up for now, and the album will be released by Dine Alone Records on April 21.  Also, the Does What He Wants tour has begun, hitting many dates across the U.S. between now and May 27.

 

Summer Salt – Driving to Hawaii

Summer Salt is a rock’n’roll three-o of best pals. With influences of bossa nova and oldies, they create the perfect soundtrack for chillaxin’ by the pool. Matt has the voice of an angel, Eugene has that in-the-pocket drummin’, and Phil’s bass is funny.  Limited to 500 copies on color vinyl.

 

 

Jerry Jean — Do We Reach Home

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Jerry Jean‘s twelve new songs explore the strains of modern living, human connection, and renewal. Cinematic and grand, the album features honest vocals and an expansive piano-driven backdrop adorned with lush strings. The LP was recorded with all live instruments for an organic, chamber pop sound. Do We Reach Home is an everyman’s journey through longing, disillusionment, and hope.

Produced and arranged by Jerry Jean in NYC, mixed in Los Angeles by Bryan Cook (Train, One Republic), and mastered in Portland, Maine by 11 time Grammy winner Bob Ludwig, the album was engineered to stand the test of time.

 

Brandon Krebs — Refuge in Exile

The second full length release from Brandon Krebs. “Avant-Garde Pop for everybody, filled with romantically gloomy soulvoyages.” Refuge In Exile’s instantly breathtaking sweep and rhythmic hooks challenge its title’s reveal of how it was made intimately and mindfully in an uncertain two-year period of the artist’s life.  

 

GGR Film to be Screened at Cleveland International Film Festival

We are really excited to announce that our short film will be screening at the Cleveland International Film Festival as part of the Ohio Shorts Program on April 4! Directed by Nick Cavalier – Director, it tells a bit about who our company is and what we do.

Jake Xerxes Fussell – What In The Natural World

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On What In the Natural World, entrancing guitarist and singer Jake Xerxes Fussell follows his celebrated self-titled debut (produced by William Tyler) with a moving new album of natural questions in the form of transmogrified folk/blues koans. This time these radiant ancient tunes tone several shades darker while amplifying their absurdist humor, illuminating our national, and psychic, predicaments. Featuring art by iconic painter Roger Brown and contributions from three notable Nathans—Nathan Bowles (Steve Gunn), Nathan Salsburg (Alan Lomax Archive), and Nathan Golub (Mountain Goats)—as well as Joan Shelley and Casey Toll (Mt. Moriah).  Available for pre-order now from Paradise of Bachelors.

 

Cory Branan — Adios

Cory Branan Adios Album Artwork

ADIOS is Cory Branan’s death record. Not the cheeriest of openings, but like all of Branan’s mercurial work, it’s probably not what you think. As funny and defiant as it is touching and sad, this self-dubbed “loser’s survival kit” doesn’t spare its subjects or the listener.

Not even Branan’s deceased father is let off the hook. In the tender homage “The Vow” he drolly cites his father’s favorite banality “that’s what you get for thinking” as “probably not the best lesson for kids.” For most songwriters that would be the punchline but Branan pushes through words and, in his father’s actions, finds a kind of “genius in the effortless way he just ‘did’.”

Not all the death on ADIOS is literal mortality. “Imogene” is sung from the wreckage of a love that once “poked fun at the pain, stoked the sun in the rain” but ends with the urgent call to “act on the embers, ash won’t remember the way back to fire.”

The trademark lyrical agility is mirrored sonically. Never a genre loyalist, ADIOS finds Branan (much like his musically restless heroes Elvis Costello and Tom Waits) coloring outside the lines in sometimes startling shades of fuzz and twang. While unafraid to play it arrow-straight when called for (“The Vow,” “Equinox,” “Don’t Go”), ADIOS veers wildly from the Buddy Holly-esque rave up “I Only Know” (sung with punk notables Laura Jane Grace and Dave Hause), through the swampy “Walls, MS” to the Costello-like new wave of “Visiting Hours.”

Mastered by John Baldwin, lacquers cut by Clint Holley.

 

Suzuki Junzo – Shark Infested Custard

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Tokyo guitarist/songwriter/singer Suzuki Junzo‘s new album! Known from his work with Miminokoto, 20 Guilders, Overhang Party and more, Junzo’s Shark-Infested Custard mixes psychedelia, blues, drone, noise and rock into an intoxicating singular blend. Limited edition of 250 copies in a screen printed cover featuring art by Eric DeJesus (Easy Pop Art Research, We Have Heaven).

 

Paste Quarterly

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Paste announces a return to print with Paste Quarterly—a luxurious print magazine with the new vinyl Paste Sampler—launching March of 2017. You can subscribe now via their Indiegogo campaign. Each issue will feature insightful long-form content and a vinyl album with exclusive tracks recorded at the Paste Studio in New York. The magazine will sell for $20/issue or $70 for a year’s subscription (four magazines plus four vinyl samplers). And we’re offering some bonus goodies for those who sign up in the next 45 days.  Thanks to Paste for bringing GGR into the fold on this!

 

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