Yes it is true. High Moon Records has been working with the Ace of Cups on brand new music. The legendary trailblazing San Francisco band has been holed up in Marin’s Laughing Tiger studio, diligently working on music that will be released very soon. Finally, the Ace of Cups debut album will see the light of day and these amazing musicians will get their due.
On October 19th, Southeastern Records will release Live From The Ryman, the new live album from four-time Grammy Award winner Jason Isbell and The 400 Unit. Live From The Ryman was primarily recorded during the group’s six sold out nights at Nashville’s legendary Ryman Auditorium in 2017.
The album features 13 live versions of songs from their last three critically acclaimed, award-winning studio albums – Southeastern (2013), Something More Than Free (2015), The Nashville Sound (2017). Pre-order here.
10 songs, western-themed, performed by Dean and Cheval Sombre, with Jason Quever, Britta Phillips, and more. Order now!
Over the course of the last two decades, Detroit-based duo ADULT.(Nicola Kuperus and Adam Lee Miller) have released six albums and nineteen EPs and singles across some of our favorite labels: Mute, Ghostly International, Thrill Jockey, Clone Records, Third Man Records, and their own label, the revered Ersatz Audio. November 1998 marked their first release: the five-song 12″ “Dispassionate Furniture”. This September, twenty years later, Dais Records is proud to announce ADULT.’s seventh full length album: THIS BEHAVIOR.
The White Blinds
Michael Duffy – Drums
Carey Frank – Hammond B3
Matt Hornbeck – Guitar
An F-Spot Production — All songs written and performed by The White Blinds (except “Blue Juice” written by Jimmy McGriff). Recorded by: Josh Wiener at Rich Uncle Records, Venice CA. Available from F-Spot Records.
Them Are Us Too was formed in the Bay Area by friends Kennedy Ashlyn and Cash Askew in 2012 after meeting at school. Fast friends with an appreciation for the same music and art, they recorded a demo and began performing intimate and memorable gigs on the west coast. They quickly gained a cult following as word spread about their youthful, innocent, and fresh take on the revered 80s dream pop and shoegaze sound, and Kennedy Ashlyn’s voice was immediately compared to Elizabeth Fraser, Kate Bush, and Harriet Wheeler – while Cash Askew’s washes of intricate guitar felt akin to Robin Guthrie, Ronny Moorings, or Kevin Shields. Their music felt familiar but new, nostalgic, and heartbreaking, with songs delivered simply and earnestly.
