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Posts Tagged ‘short run vinyl pressing’

Record Highlight — Aubrie Sellers

“I prefer to create friction,” post-Country chanteuse Aubrie Sellers offers. “Because if you’re not pushing buttons, you’re just making something pleasant, it’s probably been done before… and it’s not making anyone feel anything.”

In this world of pretty little girls who are seen and not heard and reality stars who are famous for nothing, the 24 year old songwriter ain’t buying in. Laughing, she continues, “I’d rather my music be polarizing than everyone like it, because they rarely do. I think passion is a lot deeper than that. I want to go deeper, and be honest that life isn’t just some party and going out. I mean, don’t people feel anything?”

Not that New City Blues is some kind of morbid, maudlin affair. From the cutlery in the blender indictment of surface beauty “Paper Doll” to the lone star drive of “Just To Be With You” and the tumbledown melody of “Sit Here And Cry,” this is a high energy box cutter of emotion: 14 songs marked by the bite and punch of smart girls who know there’s more to life than a cold beer and cut-Offs.

Record Highlight — Matthew Logan Vasquez

2015 (The Year of The Ram) has been a year of major change for Matthew Logan Vasquez. He moved with his wife, Marthe, from Brooklyn to Austin, he saw the birth of his first child Thor, and after a decade since founding his critically acclaimed band, Delta Spirit, he’s finally decided to go it alone FOR THE FIRST TIME, with his solo debut, The Austin EP, to be released November, 2015 , and a full length LP, Solicitor Returns, to shortly follow in early 2016 (it just shipped out from GGR this week).

Matt went solo for simple reasons– to return to the style of rock he loves. And when he went solo he REALLY went solo. He plays every instrument on the record, except for two drum tracks and one guitar track. Delta Spirit undoubtedly will be back but he wanted to make a collection of music without the influence of his beloved brethren (it’s only natural for a frontman to feel the need to let loose from time to time). You will hear his new material and you will hear Iggy Pop. Neil Young. Kurt Cobain. Gram Parsons. But ultimately, you’re hearing Matthew Logan Vasquez.

 

Record Highlight — Danen Kane

A tender, finger-picked acoustic guitar chimes seven notes, descending a scale like a waterfall. Six notes follow, down again but then back up to a hopeful and bright rest. Then, Danen Kane’s expressive voice declares the omnipresence of the Author of music: “He’s in the breath inside you / He’s in the falling rain / He’s in the light that shines on / every morning day.” A subtle, atmospheric electric guitar undergirds the melody with a double-time pulse, lending dimension and gradually moving the listener from reflection to response.

So begins “The Song that Set Us Free”, the standout opening track from Kane’s latest album Flesh and Soul. For the uninitiated, it’s a fine introduction to Danen Kane’s songcraft. His music leads the listener on the sort of journey that makes you look back in wonder and say,how did I get here? Two minutes into “The Song,” and without realizing that Kane has gradually increased the tempo by one beat per minute every 30 seconds, you’ve collected potential energy and you’re eager for something to happen. Then, at 2:15, Kane breaks all convention and lets the song explode. Cymbals crash, lyrical laughter bursts, and celebration ensues.

Danen Kane has never been afraid to break convention in his music, but he has a remarkable ability to maintain accessibility and consistency of voice while creating eclectic and sometimes surprising tunes. Part of that ability comes from his unconventional path to music ministry. Kane’s first love was not piano or guitar, it was basketball. In fact, he didn’t do anything musical until he was 20 years old, when he felt a strong call from God to lay down the hours invested in his sport and focus on pursuing his faith.

 

Record Highlight — John Moreland

 

Some days, being John Moreland has to hurt. As others bury experiences and stifle regrets, Moreland pokes old wounds until you’re sure they’ve got to be bleeding again. It’s painful. But in Moreland’s care, it’s also breathtakingly beautiful. With the release of his highly anticipated third solo album High on Tulsa Heat (available now via Thirty Tigers), he offers another round of the lyrics-first, gorgeously plaintive songs that have earned him devoted listeners across the country.

 

Record Highlight — The Lost River Cavemen

The Lost River Cavemen have been touring nationally and pumping life back into Roots music since 2005. The Cavemen spin their music into an aural web that is catchy, profound and playful. Their music has been described as Eccentric Americana, Punk Country, and Ragtime-influenced Neo-Country. However you describe it, there’s no doubt that their high-energy live show gives you good vibes and the kind of buzz that makes dancing and drinking infectious.

New album release show is Saturday, August 24!  Tidball’s w / Double Zero: The Rabbit and Jim & Wes Buchanan – $5 9:00pm.

 

Record Highlight — The Sidekicks

Courtesy of Red Scare Industries, this 7 inch with two new songs from Northern Ohio’s Sidekicks is hitting the streets now! The single “Grace” is from their forthcoming full length; while the B-side “The Wallflowers” is exclusive to this 7 inch release. An exciting sampling from a band that continues to grow, evolve, and compel…pre-orders are now up at the Red Scare store!

 

 

 

 

 

 

 

 

 

Customer Highlight — Kindest Lines

Covered in Dust the debut LP from Louisiana’s Kindest Lines, opens suitably with a beat that sounds a lot like like an industrial rendition of The Ronettes’ ‘Be My Baby’. Brian Wilson cited that song by the legendary New York girl group as the greatest pop recording ever, and many refer to it as the perfect example of Phil Spector’s “wall of sound” production. Those artists established many of the templates for how modern music is made, but what still stands out is the sense of that music having been simply dreamed-up. With organic washes of layered melodic guitars and lush songcraft, this New Orleans-based trio is definitely doing some dreaming of their own. Kindest Lines are blazing a unique path into an enchanting realm of darkened electronic indie pop that is at once welcoming and foreboding.

Produced by cerebral electro-experimentalists Alfredo Nogueira and Josh Eustis of Telefon Tel Aviv, yet brimming with spacey guitar work and hooks aplenty, Covered in Dust is a record that thrives on harmonious disparities while maintaining all of its thematic and sonic cohesion.

You can purchase a copy for yourself from Wierd Records on June 15, 2011.

 

Customer Highlight — Bongripper

Bongripper returns with a condensed and remastered version of the 2008 “Hate Ashbury” Album.  Edited at Comatose Studio in 2010 and mastered by Collin Jordan in 2011 at Boiler Room.  Thirty minutes of dirty doom.  Each 12” LP comes with a digital download card of the remastered condensed version and the original CD version.  New artwork by Dan O’Connor.  Co-release with Féretro Records.  Limited to 300.

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