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Gotta Groove Records

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Black Friday!

Be sure to seek out these indie releases on Black Friday!  Thanks to Good Records, Shake-It Records, MVD Audio, Lakeshore Records, Colemine Records, and Daptone Records for letting GGR press these records.  Happy Thanksgiving from the Gotta Groovies!

Alice Cooper – Live From The Astroturf 7″

Jeremy Pinnell — OH/KY Live

Wussy — Funeral Dress II

Stone Roses — Sally Cinnamon

Bill Callahan — Apocalypse: A Bill Callahan Tour Film

Underworld Soundtrack

Betts, Hall, Leavell, Trucks — Live At The Coffee Pot 1983

Ikebe Shakedown — Hard Steppin’

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The Dip — Won’t Be Coming Back 7″ 

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Frightnrs — Dispute/Version 7″

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Olympians — Sirens Of Jupiter / Apollo’s Mood 7″

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Carroll — As Far As Gardens Go

Moving water, a little open floor space, a reel to reel tape deck, and the old tour van packed with gear was all Carroll needed to lay down their second LP As Far As Gardens Go.

Chronicling the move from Minneapolis to Philadelphia the new songs were woven together everywhere but home. The album grew from the meals the band cooked together in other people’s kitchens, and the nights slept on hospitable floors in sleeping bags unrolled between the microphones after the console was shut down for the night.

Written and produced by the band, and mixed by Jon Low (The National, The War On Drugs, Sharon Van Etten) the sophomore full-length is out now via Shattered Orb and perfectly encapsulates the story of a band being hurtled through their lives, leaving things behind and charting a course forward.

 

The Leland Bluebird Sessions

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The Leland Bluebird Recording Sessions is a project instigated and brought about by Waterloo Sunset Records and inspired by the work of the Fox Valley Blues Society, Blues On The Fox Festival Committee and the Fox Valley Music Foundation. The project is a recording tribute to the records that were produced on the top floor of the Leland Hotel in Aurora, Illinois during a period in time beginning on May 4, 1937 and ending on December 19,1938.

The cream of the crop in the Chicago and St. Louis blues scenes were assembled on a variety of dates during that period to record tracks for the Bluebird Label. The sessions were the brainchild of a Chicago businessman and freelance A&R person named Lester Melrose. Tampa Red, Washboard Sam, Big Bill Broonzy, Big Joe Williams, Walter Davis, Henry Townsend, Robert Lee McCoy, Merline Johnson, Sweet Peas Spivey, and a very young, John Lee Curtis ‘Sonny Boy’ Williamson, amongst others, participated in many of the sessions.

The recordings are considered to be historic and very influential in laying down a foundation for rock and roll, big band music and post-war blues. The sessions helped to establish the harmonica as a lead instrument in blues ensembles while also lending credence to the notion that recordings sessions could be quick and efficient in using ‘house bands’ comprised of lead and session musicians accompanying each other on each other’s songs.

The rediscovery of these historic recordings lead to the formation of the Fox Valley Blues Society and the founding of the Blues On The Fox Festival both based in Aurora, Illinois. Several of the artists that participated in the original sessions are now members of the Blues Foundation’s Blues Hall of Fame and the song, ‘Good Morning, School Girl’, written and recorded by Sonny Boy Williamson, has also been inducted into the Blues Hall of Fame.

The purpose of this tribute project is to pay homage to the artists that participated in those original recording sessions, and to help to ensure that their memory and those songs remain prominently known for ages to come.

 

Miss Sharon Jones! — Original Motion Picture Soundtrack

Miss Sharon Jones! OST

It is our distinct pleasure to present: Miss Sharon Jones! OST. The film, directed by two-time Academy Award winner, Barbara Kopple, follows the dynamic front-woman through her 2013 battle with cancer and her triumphant return to the stage around the release of Give The People What They Want.

All versions of the soundtrack, featuring the exclusive “I’m Still Here”, boasts a nice selection of tracks ranging from her early singles on Daptone, to tracks from the band’s 2014 release – Give the People What They Want.

The Double LP Gatefold album features extra tracks + the EXCLUSIVE performance of “His Eye On The Sparrow” as heard in the film sung by Sharon Jones in her local church in Augusta, GA.

 

Giant Kitty — This Stupid Stuff

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Known as one of Houston’s premier punk bands, Giant Kitty has opened for national and international acts such as Japan’s Shonen Knife, Dressy Bessy, and Girl in a Coma. They have played high profile festivals throughout the south as well as headlining a showcase in the 2016 SXSW conference in Austin. The band’s sound has sometimes been described as a mix between the Sex Pistols and the Runaways and has often been compared to Sleater-Kinney, L7, Black Flag, and Bikini Kill.

This Stupid Stuff – Giant Kitty’s fierce and wry LP was produced by Mark White of the Spin Doctors, recorded by Houston legend Joe Omelchuck, and finally mixed and mastered by the two-time Grammy nominee Roman Klun.

 

Carsie Blanton — So Ferocious

Carsie Blanton is a singer/songwriter based in New Orleans. She has toured with Paul Simon, the Wood Brothers, the Weepies and Joan Osborne.

Her newest album – So Ferocious — is available now.

 

Maria Taylor — In The Next Life

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Maria Taylor is a singer-songwriter from Birmingham, AL, residing in Los Angeles, CA. In the Next Life, is her 6th solo effort, and her first release on her own label, Flower Moon Records out December 9th, 2016. She is also a member of the duo Azure Ray with Orenda Fink. Taylor has previously played or collaborated with Bright Eyes, Moby, Michael Stipe of R.E.M. and more.

Appearances on In the Next Life include: Conor Oberst, Joshua Radin, Nik Freitas (Conor Oberst and the Mystic Valley Band), Macey Taylor (Bright Eyes, Conor Oberst and the Mystic Valley Band, Jenny Lewis, AA Bondy), Jake Bellows (Neva Dinova), Louis Schefano (Remy Zero, Suspicious Light), Morgan Nagler (Whispertown), and Tiffany Osborn.

 

Sean McCann — Music For Public Ensemble

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First full-length album by Sean McCann since 2013’s Music for Private Ensemble (R5) . Three years in the making, Public Ensemble employs the talents of many Recital allies; a mélange of voices and instruments; violin, viola, cello, contrabass, piano, bass clarinet, tenor saxophone, flute, trumpet, trombone, clarinet, pedal-steel, koto, electronic keyboards (organ, farfisa, harpsichord), percussion, other sounds, tape, & a lamp.  Many of the pieces include recited text; reflections stemming from McCann’s book Pacifics (R14). The narrative is meaningless or meaningful.  Produced and arranged by McCann in Los Angeles, CA.

You can pre-order this limited edition work of 500 copies now.  Includes a 12-page pamphlet with texts, program notes, & artwork, as well as a digital download coupon.

 

Todd Rundgren & Utopia – Live at the Old Waldorf

With unrivaled stylistic sweep, musicianly chops, and depth of repertoire, Todd Rundgren & Utopia were a must-see concert draw in the late ‘1970s.  This Double-LP release captures an August 5, 1978 date at the Old Waldorf in San Francisco, right at the start of a nationwide tour.  Earlier in the year, Rundgren had assembled an all-star band for residencies at the Bottom Line and The Roxy.  Performances from those dates, plus an August 23 Utopia show, supplied the material for the live album Back to the Bars.  Live at the Old Waldorf includes seven songs that did not appear on Back to the Bars, including four songs from Oops! Wrong Planet.  Also includes Utopia backing Rundgren on songs, Like “Black and White” and “The Last Ride,” from which they were absent on Back to the Bars.  Pre-order this limited edition color vinyl set from Real Gone Music now!

 

Moon Temple — I & II

 

Moon Temple is Gabriel Andruzzi. You may know him as the bass player/sax guy/engineer of a well known defunct, NYC band.  This well-polished piece contains 9 tracks of delicate interludes, acid stompers, and weirdo spastic mechanical marches. There is no way to know if this release will end up in a big room, a sweaty basement, or a museum. Not only does it sound good, but there is a visual aspect too. Both I and II 12”s (pressed on 45) are packaged in beautiful silver foil op art by Moscow’s Art Crime.

 

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