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Posts Tagged ‘180 gram’

David First — Same Animal, Different Cages Vol. 2: Solomonos for Analog Synthesizer LP

Image of *Subscription: DAVID FIRST "Same Animal Different Cages" Vols. 1-4

About Same Animal, Different Cages:  “Sometime in the late winter of 2014 I began experiencing a certain nagging artistic malaise. I felt like I was spending too much energy on live performances and not being as creatively vital as I’d like. With that in mind, I resolved to cut some cords in the New Year and get back to the aspects of the process I’d been missing – learning new things and creating and recording new work. I also decided to challenge myself, without running roughshod, to not get bogged down in the ‘revising, editing and perfecting’ of things – always a potential pitfall in this digital age – and make ‘honest’, unmediated tracks that would directly reflect what I’d discover. Choosing an instrument a month, through a regimen of daily practice, I would develop and record material that would result in an album by month’s end.” – David First

The first four volumes in the series will include explorations on acoustic guitar, analog modular synthesizer, harmonica, and sitar.  Available as a subscription from Fabrica Records.

 

The Leland Bluebird Sessions

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The Leland Bluebird Recording Sessions is a project instigated and brought about by Waterloo Sunset Records and inspired by the work of the Fox Valley Blues Society, Blues On The Fox Festival Committee and the Fox Valley Music Foundation. The project is a recording tribute to the records that were produced on the top floor of the Leland Hotel in Aurora, Illinois during a period in time beginning on May 4, 1937 and ending on December 19,1938.

The cream of the crop in the Chicago and St. Louis blues scenes were assembled on a variety of dates during that period to record tracks for the Bluebird Label. The sessions were the brainchild of a Chicago businessman and freelance A&R person named Lester Melrose. Tampa Red, Washboard Sam, Big Bill Broonzy, Big Joe Williams, Walter Davis, Henry Townsend, Robert Lee McCoy, Merline Johnson, Sweet Peas Spivey, and a very young, John Lee Curtis ‘Sonny Boy’ Williamson, amongst others, participated in many of the sessions.

The recordings are considered to be historic and very influential in laying down a foundation for rock and roll, big band music and post-war blues. The sessions helped to establish the harmonica as a lead instrument in blues ensembles while also lending credence to the notion that recordings sessions could be quick and efficient in using ‘house bands’ comprised of lead and session musicians accompanying each other on each other’s songs.

The rediscovery of these historic recordings lead to the formation of the Fox Valley Blues Society and the founding of the Blues On The Fox Festival both based in Aurora, Illinois. Several of the artists that participated in the original sessions are now members of the Blues Foundation’s Blues Hall of Fame and the song, ‘Good Morning, School Girl’, written and recorded by Sonny Boy Williamson, has also been inducted into the Blues Hall of Fame.

The purpose of this tribute project is to pay homage to the artists that participated in those original recording sessions, and to help to ensure that their memory and those songs remain prominently known for ages to come.

 

Carsie Blanton — So Ferocious

Carsie Blanton is a singer/songwriter based in New Orleans. She has toured with Paul Simon, the Wood Brothers, the Weepies and Joan Osborne.

Her newest album – So Ferocious — is available now.

 

Maria Taylor — In The Next Life

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Maria Taylor is a singer-songwriter from Birmingham, AL, residing in Los Angeles, CA. In the Next Life, is her 6th solo effort, and her first release on her own label, Flower Moon Records out December 9th, 2016. She is also a member of the duo Azure Ray with Orenda Fink. Taylor has previously played or collaborated with Bright Eyes, Moby, Michael Stipe of R.E.M. and more.

Appearances on In the Next Life include: Conor Oberst, Joshua Radin, Nik Freitas (Conor Oberst and the Mystic Valley Band), Macey Taylor (Bright Eyes, Conor Oberst and the Mystic Valley Band, Jenny Lewis, AA Bondy), Jake Bellows (Neva Dinova), Louis Schefano (Remy Zero, Suspicious Light), Morgan Nagler (Whispertown), and Tiffany Osborn.

 

Edgar Allen Poe — The Raven

Cadabra Records

The Raven by Edgar Allen Poe is undoubtedly one of the most popular pieces of literature in the history of the horror genre, and here the poem gets the deluxe treatment with a meticulously professional delivery in every aspect. On this limited edition 7inch from Cadabra Records, the poem is here read by Anthony D.P. Mann, a Canadian-based filmmaker and actor with five feature films and a lifetime of stage and radio to his credit. In roles ranging from Count Dracula and the Phantom of the Opera, to Ebenezer Scrooge, his love of the classics is evident in his work. He is delighted to be lending his voice to a series of releases with Cadabra Records, indulging in his first passion – the theater of the imagination. The reading is backed by a score created by Italian composer and multi-instrumentalist Maurizio Guarini, most notably known as a core member of Goblin, who has released dozens of albums since the 1970s including soundtracks for cult classics like Suspiria, the European release of Dawn Of The Dead, and much more. Guarini adds a strikingly beautiful yet haunting score that accents the intense reading.

Happy Halloween!!!

 

Dethbeds — Dungeon Scum

A newly-formed outfit, DETHBEDS unites a host of influence from a wide array of musical backgrounds, resulting in a volatile concoction of angular metallic, punk-fueled hardcore.  Their single-sided EP is available for preorder now.

 

Morricone Youth – The Adventures of Prince Achmed

Morricone Youth performed this original live score composed and performed by MORRICONE YOUTH to Lotte Reiniger’s 1926 German animated silent film at Nitehawk Cinema, Williamsburg, Brooklyn on September 28, 2012.  This vinyl edition is limited to 500 copies, and is available now.

Devon E. Levins – Guitar
John Castro – Bass, Vocals
Dan Kessler – Keyboards, Percussion
Fraser Campbell – Tenor/Soprano Saxophone, Flute, Glockenspiel
Timur Yusef – Drums, percussion
Ayo Awosika – Vocals

Additional Instruments:
Conrad Harris – Violin
Quinn McCarthy – Percussion

 

Lydia Loveless – Real

Lydia Loveless Real Album Art Bloodshot Records

Rejoice! Singer-songwriter Lydia Loveless’s highly anticipated fourth album, Real, will be released August 19th by Bloodshot Records.

Real was recorded at Sonic Lounge Studios on her home turf of Columbus, OH and was engineered and produced by Joe Viers. “I chose to work with Joe Viers, engineer and producer of my last three releases, again because I trust him completely not only with my music but with my words,” Lydia said. “There was a lot to say this time around and I wanted to return to that sort of playground and (sometimes literally) throw things at the wall. Whereas our previous records could be described as blunt or raw, this one I wanted to be known as honest, as true, as real (rimshot),” she added.

 

The Rad Trads — Must We Call Them Rad Trads

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Based in New York City, The Rad Trads have quickly gained a reputation as one of New York’s most entertaining live acts. They bring their love of the game to a diverse style of soulful American music, with influences ranging from early jazz to New Orleans brass band, R&B, the Chicago and delta blues, and rock & roll. Featuring three powerful horns, a driving rhythm section, and three captivating lead vocalists, The Rad Trads consistently win over audiences with their relentless energy, charisma, and enthusiasm.

Must We Call Them Rad Trads is available on vinyl (+digital download) from Dala Records now!

 

Quin Galavis — My Life In Steel and Concrete

Available very soon from Super Secret Records – Quin Galavis’s new full-length My Life In Steel and Concrete.  Get a preview of the album here.

Quin Galavis is an experimental songwriter from Austin Tx. He has been been behind the stage and on it in Austin’s music scene for the past 14 years. He is a member of The Dead Space, Nazi Gold, False Idol. With an already extensive body of work spanning many genres, Quin Galavis continues to his musical journey with help of local and national labels.

 

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