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Archive for the ‘For The Record’ Category

Neal Francis — Changes

“I just wanted to be honest about everything, from my musical influences to my story,” muses Neal Francis. After years of dishonest living—consumed by drugs, alcohol, and addiction—such sincerity is jarring from the 30-year-old Chicago-based musician. Liberated from a self-destructive past and born anew in sobriety, Francis has captured an inspired collection of songs steeped in New Orleans rhythms, Chicago blues, and early 70s rock n’ roll. There is a deep connection between Francis’s childhood—his obsession with boogie woogie piano, his father’s gift of a dusty Dr. John LP—and the songs he’s created. The result is an astonishing collection of material without parallel in the contemporary funk and soul scene. The influences are unmistakable: the vocal stylings of Allen Toussaint and Leon Russell; the second line rhythms of The Meters and Dr. John; the barroom rock ‘n’ roll of The Rolling Stones; the gospel soul of Billy Preston; the roots music of The Band. Francis pays tribute to the masters but has his own story to tell: “It’s the life I’ve lived so far.” — Neal Francis

Available for pre-order from Colemine Records.

The Kyle Sowashes — I Don’t Know What To Tell You

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Kyle Sowash has been toiling in the fields of Everyman Indie Rock since a period the archeologists now describe as “the 90s”. Singing songs about the highs and lows of the day-to-day, Mr. Sowash and his band of namesakes have put a melody to the mundane. Backed by a who’s-who of stalwarts from the Columbus, OH indie scene, his newest album “I Don’t Know What To Tell You”, unapologetically rocks.  

Sorry, the caps lock wasn’t on. I said it ROCKS. With ringing power chords that would make Mitch Mitchell (from GBV, not the Experience) shit a brick* and a rhythm section that cracks like thunder off the Great Plains, The Kyle Sowashes have delivered another polyvinyl chloride testimony to the healing power of fist-pumping.  -Mike Postalakis

Ghost Funk Orchestra – A Song For Paul

Ghost Funk Orchestra are a mystery. Plain and simple. Dirty, soulful production, verbed and fuzzed out guitars, mysterious vocals that feel like a lost score to a Quentin Tarantino film. The brainchild of one-man producer/musician/arranger Seth Applebaum, GFO is forging new territory and blurring the line between soul and psychedelic.

Available 08/23/19 from Colemine Records.

Christopher — What’cha Gonna Do?

Official authorized reissue of the legendary psychedelic LP by Christopher from South Carolina. One of the absolute best American psychedelic LPs of the 1960’s, and one of the rarest—a copy went for close to $4,000 the last time an original copy sold online, and nearly double that changed hands off-line for an original! Every song is of the highest quality—they’re all self-penned too—with an accessible sound the suggests that Christopher could have had more widespread success had they ever made it out of their native South Carolina. The “What’cha Gonna Do?” album was pressed in 1969 to use as a demo (which is why as few as 100 copies exist), but you’d never know it based on the overall quality of the production. When you’ve got blistering acid rock mixed with acid blues, with a couple of thoughtful melodic songs for good measure, you’ve got a recipe for something special.

Preorder from Light In The Attic for arrival on/around Sept 6.

Amy O — Shell

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Amy Oelsner’s homemade pop songs sparkle with these eternal truths: that story-telling is part of being alive, and excavating the past is part of growth. Oelsner, who records as Amy O, is a lifer of the indie-pop underground for whom songwriting is a way of processing the passing of time. Her latest, Shell, brims with poetic granular details of everyday life; it’s her third studio album, and tenth including her many years of home recordings.

Following 2017’s Elastic, Oelsner continues living up to that album’s namesake: Shell similarly stretches with melodies upon melodies. But here there is greater use of space and pace and patience. Perfectly minimal riffs slowly build, ebb, erupt and recoil; guitars and keys layer and swell; there are moments of steady piano-pop, intricate drums and pristine criss-crossing vocal melodies.

Preorder from Winspear now for arrival Oct 25, 2019.

David Kilgour — Bobbie’s A Girl

“It’s moody—as in low, subdued,” says David Kilgour of his new album. 

The atmosphere of Bobbie’s a girl does feel a bit mysterious. Largely missing the jangly distortion of Kilgour’s other work, the album’s ten songs exude a hazy warmth, with a light psychedelia that recalls ’60s outfits like The Byrds and The Velvet Underground.

Four decades into his career, Kilgour remains as creatively restless as ever. Wherever that drive takes him next, you’ll want to follow.

Pre-order from Merge now for arrival Sept 20, 2019.

ISS — Alles 3rd Gut

Stone Irr — Performance

Mike — May God Bless Your Hustle

King Of Summer — How Cool

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