A British rock titan and an acclaimed member of New York’s acting community walk into a recording studio … and produce one of 2017’s strongest and most compelling albums.This odd couple consists of multi-instrumentalist Ian McDonald, a founding member of both King Crimson and Foreigner, and guitarist and lead vocalist Ted Zurkowski, co-founder of New York’s celebrated Shakespeare ensemble, Frog & Peach, and a long-time member of the world-famous Actors Studio.
Together, this unlikely new songwriting team conjured the album Bad Old World under the banner of their quartet, HONEY WEST.
Bad Old World is filled with memorable melodies and clever and sophisticated lyrics served on a bed of guitar-driven rock ‘n’ roll played by top-shelf musicians, including drummer Steve Holley, whose credits include Paul McCartney & Wings and many others, and McDonald’s son, Maxwell McDonald, on bass. The album also boasts a guest appearance by Graham Maby (Joe Jackson, They Might Be Giants) on bass (“Brand New Car,” “California,” “A Girl Called Life”). While it’s a modern sound stamped by Ian McDonald’s world-class musicianship and production, it also bears an instant familiarity, thanks to a sonic blueprint recalling such Brit-rock titans as The Move and Mott the Hoople.
Available as a limited edition, collectors’ release of the debut album from Honey West (Readout Records), featuring 12 newly-remastered versions of the original tracks on 180 gram audiophile vinyl, with band signatures, as well as liner and production notes from Ian McDonald.
Phil Ranelin’s love for the slide trombone stems from the almost royal tradition that the trombone holds in Indianapolis’ Jazz heritage: and from the slide trombone’s spiritual position within the genesis of Jazz as an indigenous American cultural treasure.
Phil Ranelin is a fourth generation Indianapolis native son and as such, he is a modern day continuum of J.J. Johnson and his “Naptown” slide trombone forefathers such as Reggie DuValle (Ranelin’s first private instructor), Tillman Buggs, Slide Hampton and others.
As a Straight Ahead innovator, Phil Ranelin continues to explore new realms of collaborations with younger generations, with the presentations of atypical configurations, and with complex-rhythmic and melodic-groove juxtapositions.
Collaborators include: Kamasi Washington, Calvin Keys, Big Black, Pharoah Sanders, Henry Franklin, Roger Glenn and more.
With roots in the Bay Area metal and Albuquerque punk scenes, Russian Girlfriends strikes a careful balance between raw youthful energy, infectious melodies, and thoughtful, story-driven lyricism.
The band formed in 2014, comprised of Albuquerque local scene veterans and ex members of Koffin Kats, Adam Hooks and his Hang-ups, and Glitter Dick. The original lineup; Adam Hooks as lead vocalist, Ian Jarrell and Colin Dowell on guitar, and Jeremy Keith on bass, was completed when Sasha Horn (drummer for Heathen, Novembers Doom, and Forbidden.) joined as the band’s drummer.
Russian Girlfriends’ A-F debut album ‘In the Parlance of Our Times’ arrives on June 21 and serves as the second entry to the 2019 A-F Record Club!
Leo Rondeau deals in stories candid and honest and plainspoken. Based in Nashville TN, his own story finds root in the Turtle Mountains of North Dakota, where Rondeau grew up surrounded by country music listeners and pickers spanning three generations. “It was always around me,” he says.
This aspect of his adolescence bolstered an unwavering sense of self and place in his work that sets Rondeau apart from peer musicians. A child of the rural American west and owning family lineage within the Turtle Mountain band of the Chippewa Indian tribe, his own history and worldview are engrained in the lines of his songs. This is about a type of honesty that means more than simply telling the truth. It’s a voice that either lives within you or does not.
Following Guided By Voice’s sprawling double-album Zeppelin Over China, Robert Pollard has written and recorded another full-length in record-breaking time. It’s Warp And Woof, exuberantly barreling through twenty-four songs in just thirty-seven minutes with a brevity similar to mid-90s GBV albums Alien Lanes and Vampire On Titus. GBV kicked this one out in a flash, recorded in studios, club soundchecks, hotel rooms and even in the tour van.
After completing Zeppelin, Pollard felt the itch to record a few EPs. Just as GBV had done back in 1994, he would use them to channel his everflowing ideas to an outlet. But when a magical boombox writing session produced six fully formed songs in under half an hour, Pollard realized he had an album on his hands. What to do?
With a band so formidable they’ve been dubbed the Golden Age of GBV, they completed much of the recording on the road. The 2018 Space Gun Tour provided impromptu recording venues. Pollard recorded vocals in hotel rooms, complimentary condominiums, and small studios. Doug Gillard cut guitar tracks for “End It With Light” through his Mesa Boogie rig at the soundcheck at the Ottobar in Baltimore. Bobby Bare Jr. recorded his spacey main rhythm guitars for album closer, “Time Remains in Central Position” at the same show, but in the backstage green room. Kevin March added drum tracks in a studio in his hometown Montclair, New Jersey. Gillard played guitar on “Bury the Mouse” in a van hurtling at 60-plus m.p.h., and Mark Shue laid bass on “Angelic Weirdness” as he balanced on the speeding van’s bench seat….
Mike Sopko (Guitarist, Composer, Songwriter) was born in Cleveland, Ohio in 1979. As a teen he played in various local bands while studying with local Cleveland Jazz/Fusion guitarist, Steve Gordon. After moving to Oakland, California in 2003, Sopko spearheaded numerous projects, including MCR (w/ G. Calvin Weston), Cascading Liquid Rainbows (w/ Dosh, Chris Lopes), The Golden Measure (w/ Simon Lott), and Glimpse Trio/Duo (w/ Hamir Atwal, Chris Lopes). After meeting Hamir Atwal (Tune-Yards) in 2009, the duo toured extensively, releasing four albums, the first of which was awarded Editor’s Pick by Frank Alkyer of Downbeat Magazine in 2011.
Over the years, Sopko has recorded and performed with artist’s such as Bill Laswell, Thomas Pridgen (Mars Volta), Dave King (Bad Plus), Dosh, Tyshawn Sorey, Hideo Yamaki, Dj Logic, Raoul Bjorkenheim, Chris Pitsiokos, Hamir Atwal, Los Lobos and many more. In 2015, Sopko released Sopko/Laswell/Pridgen, a trio collaboration with legendary producer/bassist, Bill Laswell and drummer phenom, Thomas Pridgen. Sopko’s upcoming release’s for 2019 and 2020 include, “On Common Ground,” a trio recording with Bill Laswell & Tyshawn Sorery, “Rituals” Mike Sopko & Thomas Pridgen, and “$pellcheck” with Dave King & Martin Dosh.
Based out of Brooklyn New York and making music for 7 years, Hawk and Dove have been writing and touring and making community wherever they can. They have just finished an album that describes one man’s miracle cure adventure – to address his failing young [early onset parkinson’s] brain, while also looking at our generational search for luxury and ease at the expense of other people’s further-away-lives. Order now!
The Cherry Poppin’ Daddies‘ 11th long player! Style wise its a bit of ska, punk, a couple swing songs and a dash of funkiness. I think of it as a mural painted for 2017-2018- addressing that zeitgeist. But done in a way that’s actually universal and timeless. It’s a tough-minded, rockin’ and muscular satire “ripped from the headlines.” Bigger Life is like a throwback to our Ferociously Stoned days, mixed with our skacore influence of the Kids on the Street era.
Ian Noe’s highly anticipated full-length debut album, Between The Country, will be released May 31 on Thirty Tigers. Recorded at Nashville’s RCA Studio A with Grammy Award-winning producer Dave Cobb, Between The Country includes 10 new songs written solely by Noe. In addition to Noe (acoustic guitar, electric guitar, vocals) and Cobb (acoustic guitar, electric guitar), the album also features Adam Gardner (bass, organ piano), Chris Powell (drums, percussion) and Savannah Conley (backup vocals).